The observance of the mean1 in relation to Boastfulness has to do with almost the same things. It also is without a name; but it will be as well to discuss these unnamed excellences with the rest, since we shall the better understand the nature of the moral character if we examine its qualities one by one; and we shall also confirm our belief that the virtues are modes of observing the mean, if we notice how this holds good in every instance. Now we have treated of behavior in Society with relation to giving pleasure and pain. Let us now discuss truthfulness and falsehood similarly displayed in word and deed, and in one’s personal pretensions. As generally understood then, the boaster is a man who pretends to creditable qualities that he does not possess, or possesses in a lesser degree than he makes out, while conversely the self depreciator disclaims or disparages good qualities that he does possess; midway between them is the straightforward sort of man who is sincere both in behavior and in speech, and admits the truth about his own qualifications without either exaggeration or understatement. Each of these things may be done with or without an ulterior motive; but when a man is acting without ulterior motive, his words, actions, and conduct always represent a his true character.2 Falsehood is in itself base and reprehensible, and truth noble and praiseworthy; and similarly the sincere man who stands between the two extremes is praised, and the insincere of both kinds are blamed, more especially the boaster. Let us discuss each of the two, beginning with the truthful man. We are speaking not of truthfulness in business relations, nor in matters where honesty and dishonesty are concerned 1127b(for these matters would come under a different virtue3), but of cases where a man is truthful both in speech and conduct when no considerations of honesty come in, from an habitual sincerity of disposition. Such sincerity may be esteemed a moral excellence; for the lover of truth, who is truthful even when nothing depends on it, will a fortiori be truthful when some interest is at stake, since having all along avoided falsehood for its own sake, he will assuredly avoid it when it is morally base; and this is a disposition that we praise. The sincere man will diverge from the truth, if at all, in the direction of understatement rather than exaggeration; since this appears in better taste, as all excess is offensive. The man who pretends to more merit than he possesses for no ulterior object seems, it is true, to be a person of inferior character, since otherwise he would not take pleasure in falsehood; but he appears to be more foolish than vicious. When, on the other hand, a man exaggerates his own merits to gain some object, if that object is glory or honor he is not very much to be blamed [as is the boaster], but if he boasts to get money or things that fetch money, this is more unseemly. (Boastfulness is not a matter of potential capacity but of deliberate purpose; a man is a boaster if he has a fixed disposition to boast—a boastful character.) Similarly liars are divided into those who like lying for its own sake and those who lie to get reputation or profit. Those then who boast for the sake of reputation pretend to possess such qualities as are praised and admired; those who do so for profit pretend to accomplishments that are useful to their fellows and also can be counterfeited without detection; for instance,4 proficiency in prophecy, philosophy, or medicine. Because these arts have the two qualities specified they are the commonest fields of pretence and bragging. Self-depreciators, who understate their own merits, seem of a more refined character, for we feel that the motive underlying this form of insincerity is not gain but dislike of ostentation. These also5 mostly disown qualities held in high esteem, as Socrates used to do. Those who disclaim merely trifling or obvious distinctions are called affected humbugs, and are decidedly contemptible; and sometimes such mock humility seems to be really boastfulness, like the dress of the Spartans,6 for extreme negligence in dress, as well as excessive attention to it, has a touch of ostentation. But a moderate use of self-depreciation in matters not too commonplace and obvious has a not ungraceful air. The boaster seems to be the opposite of the sincere man, because Boastfulness is worse than Self-depreciation.
But life also includes relaxation, and one form of relaxation is playful conversation. Here, too, we feel that there is a certain standard of good taste in social behavior, 1128aand a certain propriety in the sort of things we say and in our manner of saying them, and also in the sort of things we allow to be said to us; and it will also concern us whether those in whose company we speak or to whom we listen conform to the same rules of propriety. And it is clear that in these matters too it is possible either to exceed or to fall short of the mean. Those then who go to excess in ridicule are thought to be buffoons and vulgar fellows, who itch to have their joke at all costs, and are more concerned to raise a laugh than to keep within the bounds of decorum and avoid giving pain to the object of their raillery. Those on the other hand who never by any chance say anything funny themselves and take offence at those who do, are considered boorish and morose. Those who jest with good taste are called witty7 or versatile—that is to say, full of good turns; for such sallies seem to spring from the character, and we judge men’s characters, like their bodies, by their movements. But as matter for ridicule is always ready to hand, and as most men are only too fond of fun and raillery, even buffoons are called witty and pass for clever fellows; though it is clear from what has been said that Wit is different, and widely different, from Buffoonery. The middle disposition is further characterized by the quality of tact, the possessor of which will say, and allow to be said to him, only the sort of things that are suitable to a virtuous man and a gentleman: since there is a certain propriety in what such a man will say and hear in jest, and the jesting of a gentleman differs from that of a person of servile nature, as does that of an educated from that of an uneducated man. The difference may be seen by comparing the old and the modern comedies; the earlier dramatists found their fun in obscenity, the moderns prefer innuendo, which marks a great advance in decorum. Can we then define proper raillery by saying that its jests are never unbecoming to gentlemen, or that it avoids giving pain or indeed actually gives pleasure to its object? Or is it impossible to define anything so elusive? for tastes differ as to what is offensive and what amusing. Whatever rule we lay down, the same will apply to the things that a man should allow to be said to him, since we feel that deeds which a man permits to be ascribed to him he would not stop at actually doing. Hence a man will draw the line at some jokes; for raillery is a sort of vilification, and some forms of vilification are forbidden by law; perhaps some forms of raillery ought to be prohibited also. The cultivated gentleman will therefore regulate his wit, and will be as it were a law to himself. Such then is the middle character, whether he be called “tactful” or “witty.” The buffoon is one who cannot resist a joke; he will not keep his tongue off himself or anyone else, if he can raise a laugh, and will say things 1128bwhich a man of refinement would never say, and some of which he would not even allow to be said to him. The boor is of no use in playful conversation: he contributes nothing and takes offence at everything; yet relaxation and amusement seem to be a necessary element in life. We have now discussed three modes of observing the mean in our behavior, all of which are concerned with conversation or with common occupations of some sort. They differ in that one is concerned with truthfulness and the others with being pleasant. Of the two that deal with pleasure, one is displayed in our amusements, and the other in the general intercourse of life.
Modesty cannot properly be described as a virtue, for it seems to be a feeling rather than a disposition; at least it is defined as a kind of fear of disrepute, and indeed in its effects it is akin to the fear of danger; for people who are ashamed blush, while those in fear of their lives turn pale; both therefore appear to be in a sense bodily affections, and this indicates a feeling rather than a disposition. The feeling of modesty is not suitable to every age, but only to the young. We think it proper for the young to be modest, because as they live by feeling they often err, and modesty may keep them in check; and we praise young people when they are modest, though no one would praise an older man for being shamefaced, since we think he ought not to do anything of which he need be ashamed. For indeed the virtuous man does not feel shame, if shame is the feeling caused by base actions; since one ought not to do base actions (the distinction between acts really shameful and those reputed to be so is immaterial, since one ought not to do either), and so one never ought to feel shame. Shame is a mark of a base man, and springs from a character capable of doing a shameful act. And it is absurd that, because a man is of such a nature that he is ashamed if he does a shameful act, he should therefore think himself virtuous, since actions to cause shame must be voluntary, but a virtuous man will never voluntarily do a base action. Modesty can only be virtuous conditionally—in the sense that a good man would be ashamed if he were to do so and so; but the virtues are not conditional. And though shamelessness and not shrinking from shameful actions is base, this does not prove that to be ashamed when one a does shameful acts is virtuous— any more than Self-restraint is a virtue, and not rather a mixture of virtue and vice. But this will be explained later.8 Let us now speak of Justice.
(for these matters would come under a different virtue), but of cases where a man is truthful both in speech and conduct when no considerations of honesty come in, from an habitual sincerity of disposition. Such sincerity may be esteemed a moral excellence; for the lover of truth, who is truthful even when nothing depends on it, will a fortiori be truthful when some interest is at stake, since having all along avoided falsehood for its own sake, he will assuredly avoid it when it is morally base; and this is a disposition that we praise. The sincere man will diverge from the truth, if at all, in the direction of understatement rather than exaggeration; since this appears in better taste, as all excess is offensive. The man who pretends to more merit than he possesses for no ulterior object seems, it is true, to be a person of inferior character, since otherwise he would not take pleasure in falsehood; but he appears to be more foolish than vicious. When, on the other hand, a man exaggerates his own merits to gain some object, if that object is glory or honor he is not very much to be blamed [as is the boaster], but if he boasts to get money or things that fetch money, this is more unseemly. (Boastfulness is not a matter of potential capacity but of deliberate purpose; a man is a boaster if he has a fixed disposition to boast—a boastful character.) Similarly liars are divided into those who like lying for its own sake and those who lie to get reputation or profit. Those then who boast for the sake of reputation pretend to possess such qualities as are praised and admired; those who do so for profit pretend to accomplishments that are useful to their fellows and also can be counterfeited without detection; for instance, proficiency in prophecy, philosophy, or medicine. Because these arts have the two qualities specified they are the commonest fields of pretence and bragging. Self-depreciators, who understate their own merits, seem of a more refined character, for we feel that the motive underlying this form of insincerity is not gain but dislike of ostentation. These also mostly disown qualities held in high esteem, as Socrates used to do. Those who disclaim merely trifling or obvious distinctions are called affected humbugs, and are decidedly contemptible; and sometimes such mock humility seems to be really boastfulness, like the dress of the Spartans, for extreme negligence in dress, as well as excessive attention to it, has a touch of ostentation. But a moderate use of self-depreciation in matters not too commonplace and obvious has a not ungraceful air. The boaster seems to be the opposite of the sincere man, because Boastfulness is worse than Self-depreciation.
But life also includes relaxation, and one form of relaxation is playful conversation. Here, too, we feel that there is a certain standard of good taste in social behavior,
(ἄλλης γὰρ ἂν εἴη ταῦτʼ ἀρετῆς), ἀλλʼ ἐν οἷς μηδενὸς τοιούτου διαφέροντος καὶ ἐν λόγῳ καὶ ἐν βίῳ ἀληθεύει τῷ τὴν ἕξιν τοιοῦτος εἶναι. δόξειε δʼ ἂν ὁ τοιοῦτος ἐπιεικὴς εἶναι. ὁ γὰρ φιλαλήθης, καὶ ἐν οἷς μὴ διαφέρει ἀληθεύων, ἀληθεύσει καὶ ἐν οἷς διαφέρει ἔτι μᾶλλον· ὡς γὰρ αἰσχρὸν τὸ ψεῦδος εὐλαβήσεται, ὅ γε καὶ καθʼ αὑτὸ ηὐλαβεῖτο· ὁ δὲ τοιοῦτος ἐπαινετός. ἐπὶ τὸ ἔλαττον δὲ μᾶλλον τοῦ ἀληθοῦς ἀποκλίνει· ἐμμελέστερον γὰρ φαίνεται διὰ τὸ ἐπαχθεῖς τὰς ὑπερβολὰς εἶναι. ὁ δὲ μείζω τῶν ὑπαρχόντων προσποιούμενος μηδενὸς ἕνεκα φαύλῳ μὲν ἔοικεν (οὐ γὰρ ἂν ἔχαιρε τῷ ψεύδει), μάταιος δὲ φαίνεται μᾶλλον ἢ κακός· εἰ δʼ ἕνεκά τινος, ὁ μὲν δόξης ἢ τιμῆς οὐ λίαν ψεκτός, †ὡς ὁ ἀλαζών,† ὁ δὲ ἀργυρίου, ἢ ὅσα εἰς ἀργύριον, ἀσχημονέστερος (οὐκ ἐν τῇ δυνάμει δʼ ἐστὶν ὁ ἀλαζών, ἀλλʼ ἐν τῇ προαιρέσει· κατὰ τὴν ἕξιν γὰρ καὶ τῷ τοιόσδε εἶναι ἀλαζών ἐστιν)· ὥσπερ καὶ ψεύστης ὃ μὲν τῷ ψεύδει αὐτῷ χαίρων, ὃ δὲ δόξης ὀρεγόμενος ἢ κέρδους. οἱ μὲν οὖν δόξης χάριν ἀλαζονευόμενοι τὰ τοιαῦτα προσποιοῦνται ἐφʼ οἷς ἔπαινος ἢ εὐδαιμονισμός, οἱ δὲ κέρδους, ὧν καὶ ἀπόλαυσίς ἐστι τοῖς πέλας καὶ διαλαθεῖν ἔστι μὴ ὄντα, οἷον μάντιν σοφὸν ἰατρόν. διὰ τοῦτο οἱ πλεῖστοι προσποιοῦνται τὰ τοιαῦτα καὶ ἀλαζονεύονται· ἔστι γὰρ ἐν αὐτοῖς τὰ εἰρημένα. οἱ δʼ εἴρωνες ἐπὶ τὸ ἔλαττον λέγοντες χαριέστεροι μὲν τὰ ἤθη φαίνονται· οὐ γὰρ κέρδους ἕνεκα δοκοῦσι λέγειν, ἀλλὰ φεύγοντες τὸ ὀγκηρόν· μάλιστα δὲ καὶ οὗτοι τὰ ἔνδοξα ἀπαρνοῦνται, οἷον καὶ Σωκράτης ἐποίει. οἱ δὲ τὰ μικρὰ καὶ φανερὰ βαυκοπανοῦργοι λέγονται καὶ εὐκαταφρονητότεροί εἰσιν· καὶ ἐνίοτε ἀλαζονεία φαίνεται, οἷον ἡ τῶν Λακώνων ἐσθής· καὶ γὰρ ἡ ὑπερβολὴ καὶ ἡ λίαν ἔλλειψις ἀλαζονικόν. οἱ δὲ μετρίως χρώμενοι τῇ εἰρωνείᾳ καὶ περὶ τὰ μὴ λίαν ἐμποδὼν καὶ φανερὰ εἰρωνευόμενοι χαρίεντες φαίνονται. ἀντικεῖσθαι δʼ ὁ ἀλαζὼν φαίνεται τῷ ἀληθευτικῷ· χείρων γάρ.
οὔσης δὲ καὶ ἀναπαύσεως ἐν τῷ βίῳ, καὶ ἐν ταύτῃ διαγωγῆς μετὰ παιδιᾶς, δοκεῖ καὶ ἐνταῦθα εἶναι ὁμιλία τις ἐμμελής,
and a certain propriety in the sort of things we say and in our manner of saying them, and also in the sort of things we allow to be said to us; and it will also concern us whether those in whose company we speak or to whom we listen conform to the same rules of propriety. And it is clear that in these matters too it is possible either to exceed or to fall short of the mean. Those then who go to excess in ridicule are thought to be buffoons and vulgar fellows, who itch to have their joke at all costs, and are more concerned to raise a laugh than to keep within the bounds of decorum and avoid giving pain to the object of their raillery. Those on the other hand who never by any chance say anything funny themselves and take offence at those who do, are considered boorish and morose. Those who jest with good taste are called witty or versatile—that is to say, full of good turns; for such sallies seem to spring from the character, and we judge men’s characters, like their bodies, by their movements. But as matter for ridicule is always ready to hand, and as most men are only too fond of fun and raillery, even buffoons are called witty and pass for clever fellows; though it is clear from what has been said that Wit is different, and widely different, from Buffoonery. The middle disposition is further characterized by the quality of tact, the possessor of which will say, and allow to be said to him, only the sort of things that are suitable to a virtuous man and a gentleman: since there is a certain propriety in what such a man will say and hear in jest, and the jesting of a gentleman differs from that of a person of servile nature, as does that of an educated from that of an uneducated man. The difference may be seen by comparing the old and the modern comedies; the earlier dramatists found their fun in obscenity, the moderns prefer innuendo, which marks a great advance in decorum. Can we then define proper raillery by saying that its jests are never unbecoming to gentlemen, or that it avoids giving pain or indeed actually gives pleasure to its object? Or is it impossible to define anything so elusive? for tastes differ as to what is offensive and what amusing. Whatever rule we lay down, the same will apply to the things that a man should allow to be said to him, since we feel that deeds which a man permits to be ascribed to him he would not stop at actually doing. Hence a man will draw the line at some jokes; for raillery is a sort of vilification, and some forms of vilification are forbidden by law; perhaps some forms of raillery ought to be prohibited also. The cultivated gentleman will therefore regulate his wit, and will be as it were a law to himself. Such then is the middle character, whether he be called “tactful” or “witty.” The buffoon is one who cannot resist a joke; he will not keep his tongue off himself or anyone else, if he can raise a laugh, and will say things
καὶ οἷα δεῖ λέγειν καὶ ὥς, ὁμοίως δὲ καὶ ἀκούειν. διοίσει δὲ καὶ τὸ ἐν τοιούτοις λέγειν ἢ τοιούτων ἀκούειν. δῆλον δʼ ὡς καὶ περὶ ταῦτʼ ἔστιν ὑπερβολή τε καὶ ἔλλειψις τοῦ μέσου. οἱ μὲν οὖν τῷ γελοίῳ ὑπερβάλλοντες βωμολόχοι δοκοῦσιν εἶναι καὶ φορτικοί, γλιχόμενοι πάντως τοῦ γελοίου, καὶ μᾶλλον στοχαζόμενοι τοῦ γέλωτα ποιῆσαι ἢ τοῦ λέγειν εὐσχήμονα καὶ μὴ λυπεῖν τὸν σκωπτόμενον· οἱ δὲ μήτʼ αὐτοὶ ἂν εἰπόντες μηδὲν γελοῖον τοῖς τε λέγουσι δυσχεραίνοντες ἄγροικοι καὶ σκληροὶ δοκοῦσιν εἶναι. οἱ δʼ ἐμμελῶς παίζοντες εὐτράπελοι προσαγορεύονται, οἷον εὔτροποι· τοῦ γὰρ ἤθους αἱ τοιαῦται δοκοῦσι κινήσεις εἶναι, ὥσπερ δὲ τὰ σώματα ἐκ τῶν κινήσεων κρίνεται, οὕτω καὶ τὰ ἤθη. ἐπιπολάζοντος δὲ τοῦ γελοίου, καὶ τῶν πλείστων χαιρόντων τῇ παιδιᾷ καὶ τῷ σκώπτειν μᾶλλον ἢ δεῖ, καὶ οἱ βωμολόχοι εὐτράπελοι προσαγορεύονται ὡς χαρίεντες· ὅτι δὲ διαφέρουσι, καὶ οὐ μικρόν, ἐκ τῶν εἰρημένων δῆλον. τῇ μέσῃ δʼ ἕξει οἰκεῖον καὶ ἡ ἐπιδεξιότης ἐστίν· τοῦ δʼ ἐπιδεξίου ἐστὶ τοιαῦτα λέγειν καὶ ἀκούειν οἷα τῷ ἐπιεικεῖ καὶ ἐλευθερίῳ ἁρμόττει· ἔστι γάρ τινα πρέποντα τῷ τοιούτῳ λέγειν ἐν παιδιᾶς μέρει καὶ ἀκούειν, καὶ ἡ τοῦ ἐλευθερίου παιδιὰ διαφέρει τῆς τοῦ ἀνδραποδώδους, καὶ πεπαιδευμένου καὶ ἀπαιδεύτου. ἴδοι δʼ ἄν τις καὶ ἐκ τῶν κωμῳδιῶν τῶν παλαιῶν καὶ τῶν καινῶν· τοῖς μὲν γὰρ ἦν γελοῖον ἡ αἰσχρολογία, τοῖς δὲ μᾶλλον ἡ ὑπόνοια· διαφέρει δʼ οὐ μικρὸν ταῦτα πρὸς εὐσχημοσύνην. πότερον οὖν τὸν εὖ σκώπτοντα ὁριστέον τῷ λέγειν μὴ ἀπρεπῆ ἐλευθερίῳ, ἢ τῷ μὴ λυπεῖν τὸν ἀκούοντα ἢ καὶ τέρπειν; ἢ καὶ τό γε τοιοῦτον ἀόριστον; ἄλλο γὰρ ἄλλῳ μισητόν τε καὶ ἡδύ. τοιαῦτα δὲ καὶ ἀκούσεται· ἃ γὰρ ὑπομένει ἀκούων, ταῦτα καὶ ποιεῖν δοκεῖ. οὐ δὴ πᾶν ποιήσει· τὸ γὰρ σκῶμμα λοιδόρημά τι ἐστίν, οἱ δὲ νομοθέται ἔνια λοιδορεῖν κωλύουσιν· ἔδει δʼ ἴσως καὶ σκώπτειν. ὁ δὴ χαρίεις καὶ ἐλευθέριος οὕτως ἕξει, οἷον νόμος ὢν ἑαυτῷ. τοιοῦτος μὲν οὖν ὁ μέσος ἐστίν, εἴτʼ ἐπιδέξιος εἴτʼ εὐτράπελος λέγεται. ὁ δὲ βωμολόχος ἥττων ἐστὶ τοῦ γελοίου, καὶ οὔτε ἑαυτοῦ οὔτε τῶν ἄλλων ἀπεχόμενος εἰ γέλωτα ποιήσει, καὶ τοιαῦτα λέγων
which a man of refinement would never say, and some of which he would not even allow to be said to him. The boor is of no use in playful conversation: he contributes nothing and takes offence at everything; yet relaxation and amusement seem to be a necessary element in life. We have now discussed three modes of observing the mean in our behavior, all of which are concerned with conversation or with common occupations of some sort. They differ in that one is concerned with truthfulness and the others with being pleasant. Of the two that deal with pleasure, one is displayed in our amusements, and the other in the general intercourse of life.
ὧν οὐδὲν ἂν εἴποι ὁ χαρίεις, ἔνια δʼ οὐδʼ ἂν ἀκούσαι. ὁ δʼ ἄγροικος εἰς τὰς τοιαύτας ὁμιλίας ἀχρεῖος· οὐθὲν γὰρ συμβαλλόμενος πᾶσι δυσχεραίνει. δοκεῖ δὲ ἡ ἀνάπαυσις καὶ ἡ παιδιὰ ἐν τῷ βίῳ εἶναι ἀναγκαῖον. τρεῖς οὖν αἱ εἰρημέναι ἐν τῷ βίῳ μεσότητες, εἰσὶ δὲ πᾶσαι περὶ λόγων τινῶν καὶ πράξεων κοινωνίαν. διαφέρουσι δʼ ὅτι ἣ μὲν περὶ ἀλήθειάν ἐστιν, αἳ δὲ περὶ τὸ ἡδύ. τῶν δὲ περὶ τὴν ἡδονὴν ἣ μὲν ἐν ταῖς παιδιαῖς, ἣ δʼ ἐν ταῖς κατὰ τὸν ἄλλον βίον ὁμιλίαις.
Modesty cannot properly be described as a virtue, for it seems to be a feeling rather than a disposition; at least it is defined as a kind of fear of disrepute, and indeed in its effects it is akin to the fear of danger; for people who are ashamed blush, while those in fear of their lives turn pale; both therefore appear to be in a sense bodily affections, and this indicates a feeling rather than a disposition. The feeling of modesty is not suitable to every age, but only to the young. We think it proper for the young to be modest, because as they live by feeling they often err, and modesty may keep them in check; and we praise young people when they are modest, though no one would praise an older man for being shamefaced, since we think he ought not to do anything of which he need be ashamed. For indeed the virtuous man does not feel shame, if shame is the feeling caused by base actions; since one ought not to do base actions (the distinction between acts really shameful and those reputed to be so is immaterial, since one ought not to do either), and so one never ought to feel shame. Shame is a mark of a base man, and springs from a character capable of doing a shameful act. And it is absurd that, because a man is of such a nature that he is ashamed if he does a shameful act, he should therefore think himself virtuous, since actions to cause shame must be voluntary, but a virtuous man will never voluntarily do a base action. Modesty can only be virtuous conditionally—in the sense that a good man would be ashamed if he were to do so and so; but the virtues are not conditional. And though shamelessness and not shrinking from shameful actions is base, this does not prove that to be ashamed when one a does shameful acts is virtuous— any more than Self-restraint is a virtue, and not rather a mixture of virtue and vice. But this will be explained later. Let us now speak of Justice.
περὶ δὲ αἰδοῦς ὥς τινος ἀρετῆς οὐ προσήκει λέγειν· πάθει γὰρ μᾶλλον ἔοικεν ἢ ἕξει. ὁρίζεται γοῦν φόβος τις ἀδοξίας, καὶ ἀποτελεῖται τῷ περὶ τὰ δεινὰ φόβῳ παραπλήσιον· ἐρυθραίνονται γὰρ οἱ αἰσχυνόμενοι, οἱ δὲ τὸν θάνατον φοβούμενοι ὠχριῶσιν. σωματικὰ δὴ φαίνεταί πως εἶναι ἀμφότερα, ὅπερ δοκεῖ πάθους μᾶλλον ἢ ἕξεως εἶναι. οὐ πάσῃ δʼ ἡλικίᾳ τὸ πάθος ἁρμόζει, ἀλλὰ τῇ νέᾳ. οἰόμεθα γὰρ δεῖν τοὺς τηλικούτους αἰδήμονας εἶναι διὰ τὸ πάθει ζῶντας πολλὰ ἁμαρτάνειν, ὑπὸ τῆς αἰδοῦς δὲ κωλύεσθαι· καὶ ἐπαινοῦμεν τῶν μὲν νέων τοὺς αἰδήμονας, πρεσβύτερον δʼ οὐδεὶς ἂν ἐπαινέσειεν ὅτι αἰσχυντηλός· οὐδὲν γὰρ οἰόμεθα δεῖν αὐτὸν πράττειν ἐφʼ οἷς ἐστὶν αἰσχύνη. οὐδὲ γὰρ ἐπιεικοῦς ἐστὶν ἡ αἰσχύνη, εἴπερ γίνεται ἐπὶ τοῖς φαύλοις (οὐ γὰρ πρακτέον τὰ τοιαῦτα· εἰ δʼ ἐστὶ τὰ μὲν κατʼ ἀλήθειαν αἰσχρὰ τὰ δὲ κατὰ δόξαν, οὐδὲν διαφέρει· οὐδέτερα γὰρ πρακτέα, ὥστʼ οὐκ αἰσχυντέον)· φαύλου δὲ καὶ τὸ εἶναι τοιοῦτον οἷον πράττειν τι τῶν αἰσχρῶν. τὸ δʼ οὕτως ἔχειν ὥστʼ εἰ πράξαι τι τῶν τοιούτων αἰσχύνεσθαι, καὶ διὰ τοῦτʼ οἴεσθαι ἐπιεικῆ εἶναι, ἄτοπον· ἐπὶ τοῖς ἑκουσίοις γὰρ ἡ αἰδώς, ἑκὼν δʼ ὁ ἐπιεικὴς οὐδέποτε πράξει τὰ φαῦλα. εἴη δʼ ἂν ἡ αἰδὼς ἐξ ὑποθέσεως ἐπιεικές· εἰ γὰρ πράξαι, αἰσχύνοιτʼ ἄν· οὐκ ἔστι δὲ τοῦτο περὶ τὰς ἀρετάς. εἰ δʼ ἡ ἀναισχυντία φαῦλον καὶ τὸ μὴ αἰδεῖσθαι τὰ αἰσχρὰ πράττειν, οὐδὲν μᾶλλον τὸν τὰ τοιαῦτα πράττοντα αἰσχύνεσθαι ἐπιεικές. οὐκ ἔστι δʼ οὐδʼ ἡ ἐγκράτεια ἀρετή, ἀλλά τις μικτή· δειχθήσεται δὲ περὶ αὐτῆς ἐν τοῖς ὕστερον. νῦν δὲ περὶ δικαιοσύνης εἴπωμεν.
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