Book II, Chapter 9
Smell and the object of smell are less easy to determine than the matters we have discussed, for it is not clear what sort of thing smell is, in the way that it is clear what sound or colour is. The reason is that we do not possess this sense in an accurate form, but a worse one than many animals have; for man smells poorly, and perceives none of the objects of smell apart from the painful or the pleasant, since the sense-organ is not accurate. And it is reasonable to suppose that the hard-eyed animals perceive colours in this same way, and that the differences of colours are not distinct to them, save in respect of the frightening and the unfrightening. So it is with the human race in the case of smells.
For smell seems to be analogous to taste, and the kinds of flavours to correspond in like manner to those of smell; but we possess the sense of taste in a more accurate form, because it is a kind of touch, and man has this sense in the most accurate form of all. For in the other senses he falls far short of the animals, but in respect of touch he discriminates far more accurately than the rest. And this is why he is the most intelligent of animals. A sign of it is that within the human race it is in virtue of this sense-organ, and of no other, that men are well or ill endowed by nature; for those with hard flesh are ill endowed in mind, while those with soft flesh are well endowed.
As one flavour is sweet and another bitter, so it is also with smells. But some things have a smell and a flavour that correspond — I mean, for instance, a sweet smell and a sweet flavour — while with others it is the reverse. In like manner a smell may be pungent, harsh, sharp, or oily. But, as we said, because smells are not as clearly distinguished as flavours are, they have taken their names from the latter in virtue of a resemblance in the things themselves; for the sweet smell is so called from saffron and honey, the pungent from thyme and the like, and in the same way with the rest.
And as hearing is of the audible and the inaudible, and each of the other senses likewise — sight of the visible and the invisible — so smell is of the smellable and the unsmellable. A thing is unsmellable either because it is wholly incapable of having a smell, or because it has a slight and poor one. And "tasteless" is used in the same way.
Smelling too takes place through a medium, such as air or water; for water animals also seem to perceive smell, and this alike in the blooded and the bloodless, just as much as those that live in air. For some of these last come from a long way off to their food, having caught the scent of it.
Hence there appears to be a difficulty, if all animals smell alike, and yet man smells when he breathes in, but when he is not breathing in — whether he is breathing out or holding his breath — does not smell, neither from far off nor from close at hand, not even if the object be placed inside the nostril. That what is placed upon the sense-organ itself should be imperceptible is common to all the senses; but to perceive nothing without breathing is peculiar to men, as is clear to those who make the trial. So that the bloodless animals, since they do not breathe, would have to possess some further sense besides those we have named. But this is impossible, if it is smell that they perceive; for the perception of what is odorous, whether ill-smelling or fragrant, just is smelling. Again, they are evidently destroyed by the same strong smells that destroy man, such as bitumen and sulphur and the like. They must therefore smell, and yet without breathing.
It seems that in men this sense-organ differs from that of the other animals in the way that men's eyes differ from those of the hard-eyed animals. For men's eyes have in the eyelids a screen and, as it were, a sheath, and unless a man moves these and draws them back he does not see; whereas the hard-eyed animals have nothing of the sort, but see at once whatever comes to be in the transparent. So too, then, the organ of smell is in some animals uncovered, like the eye, while in those that take in air it has a covering, which is drawn back when they breathe in, as the small vessels and the passages are dilated. And this is why animals that breathe do not smell in water; for they must breathe in order to smell, and to do this in water is impossible.
Smell belongs to what is dry, as flavour belongs to what is moist; and the organ of smell is potentially such.
Book II, Chapter 10
The object of taste is a kind of tangible object; and this is the reason why it is not perceptible through a medium consisting of a foreign body, for neither is the object of touch. And the body in which the flavour resides, that is, the object of taste, is in what is moist as in its matter; and this is something tangible. Hence, even if we lived in water, we should perceive a sweet thing that was thrown into it; but our perception would not have come to us through the medium, but by the sweet thing's being mixed with the liquid, just as in the case of a drink. Colour, on the other hand, is not seen in this way, by being mixed, nor yet by effluences. In the case of taste, then, there is nothing that corresponds to the medium; but as colour is the visible object, so flavour is the object of taste.
But nothing produces a perception of flavour without moisture; what produces it must have moisture either actually or potentially, as the salty does: for salt is itself easily dissolved, and it is a solvent of the tongue.
And just as sight is of both the visible and the invisible (for darkness is invisible, and yet sight discriminates this too), and further of what is exceedingly bright (for this also is invisible, though in a different way from darkness), so likewise hearing is of sound and of silence, of which the one is audible and the other not audible, and also of a very loud sound, as sight is of the exceedingly bright. For as a faint sound is in a way inaudible, so too is a loud and violent one. Now "invisible" is said in one sense of what is so absolutely, as in other cases we speak of the impossible, and in another sense of that which, though naturally fitted to have the quality, has it not at all or has it poorly, as we call a thing "footless" or "stoneless." So too taste is of the tasteable and of the tasteless; and the tasteless is that which has a slight or a poor flavour, or which is destructive of taste.
The starting-point here seems to be the drinkable and the undrinkable; for both are in a way objects of taste, but the one is a poor object and destructive of taste, while the other is according to nature. And the drinkable is common to touch and to taste.
And since the object of taste is moist, its sense-organ too must be neither moist in actuality nor incapable of being moistened; for taste is affected in some way by the object of taste, qua object of taste. The organ of taste, then, must be moistened — being such as can be moistened while remaining unimpaired, and yet not being itself moist. A sign of this is that the tongue perceives neither when it is quite dry nor when it is too moist; for in the latter case the contact is with the moisture already present in it, as happens when a man who has first tasted a strong flavour then tastes another; and it is in this way that to the sick everything appears bitter, because they perceive with a tongue that is full of such moisture.
The kinds of flavour, as also in the case of colours, are these: the simple ones are the contraries, the sweet and the bitter; next to the one comes the oily and next to the other the salty; and between these lie the pungent, the harsh, the astringent and the acid. For these are pretty well all the varieties of flavour that are thought to exist. So that the faculty of taste is what is potentially such, while the object of taste is what makes it so in actuality.
Book II, Chapter 11
Concerning the tangible and touch the same account holds. For if touch is not one sense but several, then the tangible objects of perception must also be several. But there is a difficulty whether they are several or one, and also what the sense-organ of the tangible is, the organ of touch: whether it is the flesh, and in the other animals what is analogous to flesh, or not, but this is rather the medium, while the primary sense-organ is something else within.
For every sense seems to be concerned with a single pair of contraries, as sight with white and black, hearing with high and low pitch, and taste with bitter and sweet; but in the tangible there are many pairs of contraries — hot and cold, dry and moist, hard and soft, and all the others of this kind. There is, however, some solution to this difficulty at least, namely that in the other senses too there are several pairs of contraries: for instance in the voice there is not only highness and lowness of pitch, but also loudness and faintness, and smoothness and roughness of voice, and other such differences. And there are other such differences in the case of colour as well. But what the one underlying subject is for touch, corresponding to sound for hearing, is not clear.
Is the sense-organ, then, within, or is it not, but the flesh directly? It seems to be no proof that the perception arises at the very moment when the objects are touched. For even as things are, if one were to stretch round the flesh a sort of membrane made for the purpose, it would report the sensation in just the same way as soon as it was touched; and yet it is clear that the sense-organ is not in this membrane. And if the membrane were actually grown on to the flesh, the sensation would penetrate more quickly still. Hence this part of the body seems to stand to us as the air would stand if it had grown naturally round about us in a ring; for then we should have supposed that we perceive sound and colour and smell by one and the same thing, and that sight, hearing and smell are a single sense. But as it is, because that through which the movements take place is marked off separately, the sense-organs mentioned are evidently different from one another.
In the case of touch, however, this is at present obscure. For the ensouled body cannot be composed of air or of water, since it must be something solid. It remains, then, that it is a mixture of earth and of these, such as flesh and its analogue tend to be; so that the body too must be the medium of the faculty of touch, naturally attached to it, through which the perceptions, being several, come about. That they are several is shown by touch in the tongue; for it perceives all tangible objects, and flavour as well, with the same part. If, then, the rest of the flesh also perceived flavour, taste and touch would seem to be one and the same sense; but as it is they are two, because the relation is not convertible.
One might raise this difficulty. If every body has depth, this being the third dimension, and if two bodies have some body between them, then these cannot touch one another. But the moist does not exist without body, nor does the wet, but it must either be water or contain water. And things that touch one another in water, since their surfaces are not dry, must have water between them, with which their extremities are filled. But if this is true, it is impossible for one thing to touch another in water. And it is the same way in air too; for air stands to the things in it as water does to the things in water. But it escapes our notice more, just as it escapes the notice of animals living in water whether one wet thing touches another wet thing.
Is perception, then, alike in the case of all objects, or does it come about differently for different ones, as it now seems that taste and touch operate by contact, while the rest operate at a distance? But this is not so. On the contrary, we perceive the hard and the soft as well through other things, just as we perceive that which sounds and that which is visible and that which has an odour; only the latter are perceived from far off, the former from close at hand. And that is why the fact escapes our notice; since we do in truth perceive all objects through the medium, but in these cases the medium passes unnoticed.
And yet, as we said before as well, even if we were to perceive all tangible objects through a membrane, without noticing that it kept us apart from them, we should be in just the same case as we now are in water and in air; for as things are we suppose that we touch the objects themselves and that there is nothing between. But the tangible differs from the visible and from that which sounds in this respect: of those we have perception because the medium acts in some way upon us, whereas of tangible objects we have perception not by the agency of the medium but at the same time as the medium, like the man who is struck through his shield; for it was not that the shield, having been struck, then struck him, but it happened that both were struck at once.
In general, the flesh and the tongue seem to stand to the sense-organ as air and water stand to sight and hearing and smell, each of those media standing in the same way to its own organ. But if the sense-organ itself were touched, no perception would arise either in that case or in this, as if a man were to lay a white body upon the outermost surface of the eye. From which it is also plain that what perceives the tangible is within. For only so would there come about what comes about in the other cases as well: when objects are laid upon the sense-organ there is no perception, but when they are laid upon the flesh there is. Hence the flesh is the medium of the faculty of touch.
Tangible, then, are the distinguishing qualities of body qua body; and by distinguishing qualities I mean those which mark off the elements — hot and cold, dry and moist — concerning which we have spoken earlier in our discussion of the elements. And the sense-organ of these, the organ of touch, that in which primarily the sense called touch resides, is the part which is potentially such as they are; for to perceive is to be affected in some way. So that what acts makes the other, which is potentially such, become such as the agent itself is in actuality.
This is why we do not perceive what is equally hot and cold with ourselves, or equally hard and soft, but only the excesses of these, the sense being, as it were, a kind of mean between the contrariety that resides in perceptible objects. And it is for this reason that it discriminates perceptible objects; for the mean is what discriminates, since in relation to each of the extremes it becomes the other of them. And just as that which is to perceive white and black must be neither of them in actuality, but both potentially, so it is in the other cases too, and in the case of touch the organ must be neither hot nor cold.
Further, just as sight was in a way of the visible and of the invisible, and likewise the remaining senses of their respective opposites, so touch too is of the tangible and of the intangible. And the intangible is both that which has an altogether slight degree of the distinguishing quality of tangible things, as is the case with air, and also the excesses among tangible objects, such as those that are destructive.
Concerning each of the senses, then, an account has now been given in outline.
Book II, Chapter 9
Smell and the object of smell are less easy to determine than the matters we have discussed, for it is not clear what sort of thing smell is, in the way that it is clear what sound or colour is. The reason is that we do not possess this sense in an accurate form, but a worse one than many animals have; for man smells poorly, and perceives none of the objects of smell apart from the painful or the pleasant, since the sense-organ is not accurate. And it is reasonable to suppose that the hard-eyed animals perceive colours in this same way, and that the differences of colours are not distinct to them, save in respect of the frightening and the unfrightening. So it is with the human race in the case of smells.
For smell seems to be analogous to taste, and the kinds of flavours to correspond in like manner to those of smell; but we possess the sense of taste in a more accurate form, because it is a kind of touch, and man has this sense in the most accurate form of all. For in the other senses he falls far short of the animals, but in respect of touch he discriminates far more accurately than the rest. And this is why he is the most intelligent of animals. A sign of it is that within the human race it is in virtue of this sense-organ, and of no other, that men are well or ill endowed by nature; for those with hard flesh are ill endowed in mind, while those with soft flesh are well endowed.
As one flavour is sweet and another bitter, so it is also with smells. But some things have a smell and a flavour that correspond — I mean, for instance, a sweet smell and a sweet flavour — while with others it is the reverse. In like manner a smell may be pungent, harsh, sharp, or oily. But, as we said, because smells are not as clearly distinguished as flavours are, they have taken their names from the latter in virtue of a resemblance in the things themselves; for the sweet smell is so called from saffron and honey, the pungent from thyme and the like, and in the same way with the rest.
And as hearing is of the audible and the inaudible, and each of the other senses likewise — sight of the visible and the invisible — so smell is of the smellable and the unsmellable. A thing is unsmellable either because it is wholly incapable of having a smell, or because it has a slight and poor one. And "tasteless" is used in the same way.
Smelling too takes place through a medium, such as air or water; for water animals also seem to perceive smell, and this alike in the blooded and the bloodless, just as much as those that live in air. For some of these last come from a long way off to their food, having caught the scent of it.
Hence there appears to be a difficulty, if all animals smell alike, and yet man smells when he breathes in, but when he is not breathing in — whether he is breathing out or holding his breath — does not smell, neither from far off nor from close at hand, not even if the object be placed inside the nostril. That what is placed upon the sense-organ itself should be imperceptible is common to all the senses; but to perceive nothing without breathing is peculiar to men, as is clear to those who make the trial. So that the bloodless animals, since they do not breathe, would have to possess some further sense besides those we have named. But this is impossible, if it is smell that they perceive; for the perception of what is odorous, whether ill-smelling or fragrant, just is smelling. Again, they are evidently destroyed by the same strong smells that destroy man, such as bitumen and sulphur and the like. They must therefore smell, and yet without breathing.
It seems that in men this sense-organ differs from that of the other animals in the way that men's eyes differ from those of the hard-eyed animals. For men's eyes have in the eyelids a screen and, as it were, a sheath, and unless a man moves these and draws them back he does not see; whereas the hard-eyed animals have nothing of the sort, but see at once whatever comes to be in the transparent. So too, then, the organ of smell is in some animals uncovered, like the eye, while in those that take in air it has a covering, which is drawn back when they breathe in, as the small vessels and the passages are dilated. And this is why animals that breathe do not smell in water; for they must breathe in order to smell, and to do this in water is impossible.
Smell belongs to what is dry, as flavour belongs to what is moist; and the organ of smell is potentially such.
Περὶ δὲ ὀσμῆς καὶ ὀσφραντοῦ ἧττον εὐδιόριστόν ἐστι τῶν εἰρημένων· οὐ γὰρ δῆλον ποῖόν τί ἐστιν ἡ ὀσμή, οὕτως ὡς ὁ ψόφος ἢ τὸ χρῶμα. Αἴτιον δ’ ὅτι τὴν αἴσθησιν ταύτην οὐκ ἔχομεν ἀκριβῆ, ἀλλὰ χείρω πολλῶν ζῴων· φαύλως γὰρ ἄνθρωπος ὀσμᾶται, καὶ οὐθενὸς αἰσθάνεται τῶν ὀσφραντῶν ἄνευ τοῦ λυπηροῦ ἢ τοῦ ἡδέος, ὡς οὐκ ὄντος ἀκριβοῦς τοῦ αἰσθητηρίου. Εὔλογον δ’ οὕτω καὶ τὰ σκληρόφθαλμα τῶν χρωμάτων αἰσθάνεσθαι, καὶ μὴ διαδήλους αὐτοῖς εἶναι τὰς διαφορὰς τῶν χρωμάτων πλὴν τῷ φοβερῷ καὶ ἀφόβῳ. Οὕτω δὲ καὶ τὰς ὀσμὰς τὸ τῶν ἀνθρώπων γένος· ἔοικε μὲν γὰρ ἀνάλογον ἔχειν πρὸς τὴν γεῦσιν καὶ ὁμοίως τὰ εἴδη τῶν χυμῶν τοῖς τῆς ὀσμῆς, ἀλλ’ ἀκριβεστέραν ἔχομεν τὴν γεῦσιν διὰ τὸ εἶναι αὐτὴν ἁφήν τινα, ταύτην δ’ ἔχειν τὴν αἴσθησιν τὸν ἄνθρωπον ἀκριβεστάτην· ἐν μὲν γὰρ ταῖς ἄλλαις λείπεται πολλῷ τῶν ζῴων, κατὰ δὲ τὴν ἁφὴν πολλῶν τῶν ἄλλων διαφερόντως ἀκριβοῖ. Διὸ καὶ φρονιμώτατόν ἐστι τῶν ζῴων. Σημεῖον δὲ τὸ καὶ ἐν τῷ γένει τῶν ἀνθρώπων παρὰ τὸ αἰσθητήριον τοῦτο εἶναι εὐφυεῖς καὶ ἀφυεῖς, παρ’ ἄλλο δὲ μηδέν· οἱ μὲν γὰρ σκληρόσαρκοι ἀφυεῖς τὴν διάνοιαν, οἱ δὲ μαλακόσαρκοι εὐφυεῖς. Ἔστι δ’, ὥσπερ χυμὸς ὁ μὲν γλυκὺς ὁ δὲ πικρός, οὕτω καὶ ὀσμαί. Ἀλλὰ τὰ μὲν ἔχουσι τὴν ἀνάλογον ὀσμὴν καὶ χυμόν, λέγω δὲ οἷον γλυκεῖαν ὀσμὴν καὶ γλυκὺν χυμόν, τὰ δὲ τοὐναντίον. Ὁμοίως δὲ καὶ δριμεῖα καὶ αὐστηρὰ καὶ ὀξεῖα καὶ λιπαρά ἐστιν ὀσμή. Ἀλλ’ ὥσπερ εἴπομεν, διὰ τὸ μὴ σφόδρα διαδήλους εἶναι τὰς ὀσμὰς ὥσπερ τοὺς χυμούς, ἀπὸ τούτων εἴληφε τὰ ὀνόματα καθ’ ὁμοιότητα τῶν πραγμάτων· ἡ μὲν γὰρ γλυκεῖα ἀπὸ τοῦ κρόκου καὶ τοῦ μέλιτος, ἡ δὲ δριμεῖα θύμου καὶ τῶν τοιούτων· τὸν αὐτὸν δὲ τρόπον καὶ ἐπὶ τῶν ἄλλων. Ἔστι δ’ ὥσπερ ἡ ἀκοὴ καὶ ἑκάστη τῶν αἰσθήσεων, ἡ μὲν τοῦ ἀκουστοῦ καὶ ἀνηκούστου, ἡ δὲ τοῦ ὁρατοῦ καὶ ἀοράτου, καὶ ἡ ὄσφρησις τοῦ ὀσφραντοῦ καὶ ἀνοσφράντου. Ἀνόσφραντον δὲ τὸ μὲν παρὰ τὸ ὅλως ἀδύνατον ἔχειν ὀσμήν, τὸ δὲ μικρὰν ἔχον καὶ φαύλην. Ὁμοίως δὲ καὶ τὸ ἄγευστον λέγεται. Ἔστι δὲ καὶ ἡ ὄσφρησις διὰ τοῦ μεταξύ, οἷον ἀέρος ἢ ὕδατος· καὶ γὰρ τὰ ἔνυδρα δοκοῦσιν ὀσμῆς αἰσθάνεσθαι. Ὁμοίως δὲ καὶ τὰ ἔναιμα καὶ τὰ ἄναιμα, ὥσπερ καὶ τὰ ἐν τῷ ἀέρι· καὶ γὰρ τούτων ἔνια πόρρωθεν ἀπαντᾷ πρὸς τὴν τροφὴν ὕποσμα γινόμενα. Διὸ καὶ ἄπορον φαίνεται, εἰ πάντα μὲν ὁμοίως ὀσμᾶται, ὁ δ’ ἄνθρωπος ἀναπνέων μέν, μὴ ἀναπνέων δὲ ἀλλ’ ἐκπνέων ἢ κατέχων τὸ πνεῦμα οὐκ ὀσμᾶται, οὔτε πόρρωθεν οὔτ’ ἐγγύθεν, οὐδ’ ἂν ἐπὶ τοῦ μυκτῆρος ἐντὸς τεθῇ. Καὶ τὸ μὲν ἐπ’ αὐτῷ τιθέμενον τῷ αἰσθητηρίῳ ἀναίσθητον εἶναι κοινὸν πάντων· ἀλλὰ τὸ ἄνευ τοῦ ἀναπνεῖν μὴ αἰσθάνεσθαι ἴδιον ἐπὶ τῶν ἀνθρώπων· δῆλον δὲ πειρωμένοις. Ὥστε τὰ ἄναιμα, ἐπειδὴ οὐκ ἀναπνέουσιν, ἑτέραν ἄν τιν’ αἴσθησιν ἔχοι παρὰ τὰς λεγομένας. Ἀλλ’ ἀδύνατον, εἴπερ τῆς ὀσμῆς αἰσθάνεται· ἡ γὰρ τοῦ ὀσφραντοῦ αἴσθησις καὶ δυσώδους καὶ εὐώδους ὄσφρησίς ἐστιν. Ἔτι δὲ καὶ φθειρόμενα φαίνεται ὑπὸ τῶν ἰσχυρῶν ὀσμῶν ὑφ’ ὧνπερ ἄνθρωπος, οἷον ἀσφάλτου καὶ θείου καὶ τῶν τοιούτων. Ὀσφραίνεσθαι μὲν οὖν ἀναγκαῖον, ἀλλ’ οὐκ ἀναπνέοντα. Ἔοικε δὲ τοῖς ἀνθρώποις διαφέρειν τὸ αἰσθητήριον τοῦτο πρὸς τὸ τῶν ἄλλων ζῴων, ὥσπερ τὰ ὄμματα πρὸς τὰ τῶν σκληροφθάλμων· τὰ μὲν γὰρ ἔχει φράγμα καὶ ὥσπερ ἔλυτρον τὰ βλέφαρα, ἃ μὴ κινήσας μηδ’ ἀνασπάσας οὐχ ὁρᾷ· τὰ δὲ σκληρόφθαλμα οὐδὲν ἔχει τοιοῦτον, ἀλλ’ εὐθέως ὁρᾷ τὰ γινόμενα ἐν τῷ διαφανεῖ. Οὕτως οὖν καὶ τὸ ὀσφραντικὸν αἰσθητήριον τοῖς μὲν ἀκάλυφες εἶναι, ὥσπερ τὸ ὄμμα, τοῖς δὲ τὸν ἀέρα δεχομένοις ἔχειν ἐπικάλυμμα, ὃ ἀναπνεόντων ἀποκαλύπτεσθαι, διευρυνομένων τῶν φλεβίων καὶ τῶν πόρων. Καὶ διὰ τοῦτο τὰ ἀναπνέοντα οὐκ ὀσμᾶται ἐν τῷ ὑγρῷ· ἀναγκαῖον γὰρ ὀσφραθνῆναι ἀναπνεύσαντα, τοῦτο δὲ ποιεῖν ἐν τῷ ὑγρῷ ἀδύνατον. Ἔστι δ’ ἡ ὀσμὴ τοῦ ξηροῦ, ὥσπερ ὁ χυμὸς τοῦ ὑγροῦ· τὸ δὲ ὀσφραντικὸν αἰσθητήριον δυνάμει τοιοῦτον.
Book II, Chapter 10
The object of taste is a kind of tangible object; and this is the reason why it is not perceptible through a medium consisting of a foreign body, for neither is the object of touch. And the body in which the flavour resides, that is, the object of taste, is in what is moist as in its matter; and this is something tangible. Hence, even if we lived in water, we should perceive a sweet thing that was thrown into it; but our perception would not have come to us through the medium, but by the sweet thing's being mixed with the liquid, just as in the case of a drink. Colour, on the other hand, is not seen in this way, by being mixed, nor yet by effluences. In the case of taste, then, there is nothing that corresponds to the medium; but as colour is the visible object, so flavour is the object of taste.
But nothing produces a perception of flavour without moisture; what produces it must have moisture either actually or potentially, as the salty does: for salt is itself easily dissolved, and it is a solvent of the tongue.
And just as sight is of both the visible and the invisible (for darkness is invisible, and yet sight discriminates this too), and further of what is exceedingly bright (for this also is invisible, though in a different way from darkness), so likewise hearing is of sound and of silence, of which the one is audible and the other not audible, and also of a very loud sound, as sight is of the exceedingly bright. For as a faint sound is in a way inaudible, so too is a loud and violent one. Now "invisible" is said in one sense of what is so absolutely, as in other cases we speak of the impossible, and in another sense of that which, though naturally fitted to have the quality, has it not at all or has it poorly, as we call a thing "footless" or "stoneless." So too taste is of the tasteable and of the tasteless; and the tasteless is that which has a slight or a poor flavour, or which is destructive of taste.
The starting-point here seems to be the drinkable and the undrinkable; for both are in a way objects of taste, but the one is a poor object and destructive of taste, while the other is according to nature. And the drinkable is common to touch and to taste.
And since the object of taste is moist, its sense-organ too must be neither moist in actuality nor incapable of being moistened; for taste is affected in some way by the object of taste, qua object of taste. The organ of taste, then, must be moistened — being such as can be moistened while remaining unimpaired, and yet not being itself moist. A sign of this is that the tongue perceives neither when it is quite dry nor when it is too moist; for in the latter case the contact is with the moisture already present in it, as happens when a man who has first tasted a strong flavour then tastes another; and it is in this way that to the sick everything appears bitter, because they perceive with a tongue that is full of such moisture.
The kinds of flavour, as also in the case of colours, are these: the simple ones are the contraries, the sweet and the bitter; next to the one comes the oily and next to the other the salty; and between these lie the pungent, the harsh, the astringent and the acid. For these are pretty well all the varieties of flavour that are thought to exist. So that the faculty of taste is what is potentially such, while the object of taste is what makes it so in actuality.
Τὸ δὲ γευστόν ἐστιν ἁπτόν τι· καὶ τοῦτ’ αἴτιον τοῦ μὴ εἶναι αἰσθητὸν διὰ τοῦ μεταξὺ ἀλλοτρίου ὄντος σώματος· οὐδὲ γὰρ ἡ ἁφή. Καὶ τὸ σῶμα δὲ ἐν ᾧ ὁ χυμός, τὸ γευστόν, ἐν ὑγρῷ ὡς ὕλῃ· τοῦτο δ’ ἁπτόν τι. Διὸ κἂν εἰ ἐν ὕδατι εἶμεν, αἰσθανοίμεθ’ ἂν ἐμβληθέντος τοῦ γλυκέος, οὐκ ἦν δ’ ἂν ἡ αἴσθησις ἡμῖν διὰ τοῦ μεταξύ, ἀλλὰ τῷ μιχθῆναι τῷ ὑγρῷ, καθάπερ ἐπὶ τοῦ ποτοῦ. Τὸ δὲ χρῶμα οὐχ οὕτως ὁρᾶται τῷ μίγνυσθαι, οὐδὲ ταῖς ἀπορροίαις. Ὡς μὲν οὖν τὸ μεταξὺ οὐθέν ἐστιν· ὡς δὲ χρῶμα τὸ ὁρατόν, οὕτω τὸ γευστὸν ὁ χυμός. Οὐθὲν δὲ ποιεῖ χυμοῦ αἴσθησιν ἄνευ ὑγρότητος, ἀλλ’ ἔχει ἐνεργείᾳ ἢ δυνάμει ὑγρότητα, οἷον τὸ ἁλμυρόν· εὔτηκτόν τε γὰρ αὐτὸ καὶ συντηκτικὸν γλώττης. Ὥσπερ δὲ καὶ ἡ ὄψις ἐστὶ τοῦ τε ὁρατοῦ καὶ τοῦ ἀοράτου (τὸ γὰρ σκότος ἀόρατον, κρίνει δὲ καὶ τοῦτο ἡ ὄψις), ἔτι τοῦ λίαν λαμπροῦ (καὶ γὰρ τοῦτο ἀόρατον, ἄλλον δὲ τρόπον τοῦ σκότους), ὁμοίως δὲ καὶ ἡ ἀκοὴ ψόφου τε καὶ σιγῆς, ὧν τὸ μὲν ἀκουστὸν τὸ δ’ οὐκ ἀκουστόν, καὶ μεγάλου ψόφου, καθάπερ ἡ ὄψις τοῦ λαμπροῦ· ὥσπερ γὰρ ὁ μικρὸς ψόφος ἀνήκουστος τρόπον τινά, καὶ ὁ μέγας τε καὶ ὁ βίαιος· ἀόρατον δὲ τὸ μὲν ὅλως λέγεται, ὥσπερ καὶ ἐπ’ ἄλλων τὸ ἀδύνατον, τὸ δ’, ἐὰν πεφυκὸς μὴ ἔχῃ ἢ φαύλως, ὥσπερ τὸ ἄπουν καὶ τὸ ἀπύρηνον· οὕτω δὴ καὶ ἡ γεῦσις τοῦ γευστοῦ τε καὶ ἀγεύστου· τοῦτο δὲ τὸ μικρὸν ἢ φαῦλον ἔχον χυμὸν ἢ φθαρτικὸν τῆς γεύσεως. Δοκεῖ δ’ εἶναι ἀρχὴ τὸ ποτὸν καὶ ἄποτον· γεῦσις γάρ τις ἀμφότερα· ἀλλὰ τὸ μὲν φαύλη καὶ φθαρτικὴ τῆς γεύσεως, τὸ δὲ κατὰ φύσιν. Ἔστι δὲ κοινὸν ἁφῆς καὶ γεύσεως τὸ ποτόν. Ἐπεὶ δ’ ὑγρὸν τὸ γευστόν, ἀνάγκη καὶ τὸ αἰσθητήριον αὐτοῦ μήτε ὑγρὸν εἶναι ἐντελεχείᾳ μήτε ἀδύνατον ὑγραίνεσθαι· πάσχει γάρ τι ἡ γεῦσις ὑπὸ τοῦ γευστοῦ, ᾗ γευστόν. Ἀναγκαῖον ἄρα ὑγρανθῆναι τὸ δυνάμενον μὲν ὑγραίνεσθαι σωζόμενον, μὴ ὑγρὸν δέ, τὸ γευστικὸν αἰσθητήριον. Σημεῖον δὲ τὸ μήτε κατάξηρον οὖσαν τὴν γλῶτταν αἰσθάνεσθαι μήτε λίαν ὑγράν· αὕτη γὰρ ἁφὴ γίνεται τοῦ πρώτου ὑγροῦ, ὥσπερ ὅταν προγευματίσας τις ἰσχυροῦ χυμοῦ γεύηται ἑτέρου· καὶ οἷον τοῖς κάμνουσι πικρὰ πάντα φαίνεται διὰ τὸ τῇ γλώττῃ πλήρει τοιαύτης ὑγρότητος αἰσθάνεσθαι. Τὰ δ’ εἴδη τῶν χυμῶν, ὥσπερ καὶ ἐπὶ τῶν χρωμάτων, ἁπλᾶ μὲν τἀναντία, τὸ γλυκὺ καὶ τὸ πικρόν, ἐχόμενα δὲ τοῦ μὲν τὸ λιπαρόν, τοῦ δὲ τὸ ἁλμυρόν· μεταξὺ δὲ τούτων τό τε δριμὺ καὶ τὸ αὐστηρὸν καὶ στρυφνὸν καὶ ὀξύ· σχεδὸν γὰρ αὗται δοκοῦσιν εἶναι διαφοραὶ χυμῶν. Ὥστε τὸ γευστικόν ἐστι τὸ δυνάμει τοιοῦτον, γευστὸν δὲ τὸ ποιητικὸν ἐντελεχείᾳ αὐτοῦ.
Book II, Chapter 11
Concerning the tangible and touch the same account holds. For if touch is not one sense but several, then the tangible objects of perception must also be several. But there is a difficulty whether they are several or one, and also what the sense-organ of the tangible is, the organ of touch: whether it is the flesh, and in the other animals what is analogous to flesh, or not, but this is rather the medium, while the primary sense-organ is something else within.
For every sense seems to be concerned with a single pair of contraries, as sight with white and black, hearing with high and low pitch, and taste with bitter and sweet; but in the tangible there are many pairs of contraries — hot and cold, dry and moist, hard and soft, and all the others of this kind. There is, however, some solution to this difficulty at least, namely that in the other senses too there are several pairs of contraries: for instance in the voice there is not only highness and lowness of pitch, but also loudness and faintness, and smoothness and roughness of voice, and other such differences. And there are other such differences in the case of colour as well. But what the one underlying subject is for touch, corresponding to sound for hearing, is not clear.
Is the sense-organ, then, within, or is it not, but the flesh directly? It seems to be no proof that the perception arises at the very moment when the objects are touched. For even as things are, if one were to stretch round the flesh a sort of membrane made for the purpose, it would report the sensation in just the same way as soon as it was touched; and yet it is clear that the sense-organ is not in this membrane. And if the membrane were actually grown on to the flesh, the sensation would penetrate more quickly still. Hence this part of the body seems to stand to us as the air would stand if it had grown naturally round about us in a ring; for then we should have supposed that we perceive sound and colour and smell by one and the same thing, and that sight, hearing and smell are a single sense. But as it is, because that through which the movements take place is marked off separately, the sense-organs mentioned are evidently different from one another.
In the case of touch, however, this is at present obscure. For the ensouled body cannot be composed of air or of water, since it must be something solid. It remains, then, that it is a mixture of earth and of these, such as flesh and its analogue tend to be; so that the body too must be the medium of the faculty of touch, naturally attached to it, through which the perceptions, being several, come about. That they are several is shown by touch in the tongue; for it perceives all tangible objects, and flavour as well, with the same part. If, then, the rest of the flesh also perceived flavour, taste and touch would seem to be one and the same sense; but as it is they are two, because the relation is not convertible.
One might raise this difficulty. If every body has depth, this being the third dimension, and if two bodies have some body between them, then these cannot touch one another. But the moist does not exist without body, nor does the wet, but it must either be water or contain water. And things that touch one another in water, since their surfaces are not dry, must have water between them, with which their extremities are filled. But if this is true, it is impossible for one thing to touch another in water. And it is the same way in air too; for air stands to the things in it as water does to the things in water. But it escapes our notice more, just as it escapes the notice of animals living in water whether one wet thing touches another wet thing.
Is perception, then, alike in the case of all objects, or does it come about differently for different ones, as it now seems that taste and touch operate by contact, while the rest operate at a distance? But this is not so. On the contrary, we perceive the hard and the soft as well through other things, just as we perceive that which sounds and that which is visible and that which has an odour; only the latter are perceived from far off, the former from close at hand. And that is why the fact escapes our notice; since we do in truth perceive all objects through the medium, but in these cases the medium passes unnoticed.
And yet, as we said before as well, even if we were to perceive all tangible objects through a membrane, without noticing that it kept us apart from them, we should be in just the same case as we now are in water and in air; for as things are we suppose that we touch the objects themselves and that there is nothing between. But the tangible differs from the visible and from that which sounds in this respect: of those we have perception because the medium acts in some way upon us, whereas of tangible objects we have perception not by the agency of the medium but at the same time as the medium, like the man who is struck through his shield; for it was not that the shield, having been struck, then struck him, but it happened that both were struck at once.
In general, the flesh and the tongue seem to stand to the sense-organ as air and water stand to sight and hearing and smell, each of those media standing in the same way to its own organ. But if the sense-organ itself were touched, no perception would arise either in that case or in this, as if a man were to lay a white body upon the outermost surface of the eye. From which it is also plain that what perceives the tangible is within. For only so would there come about what comes about in the other cases as well: when objects are laid upon the sense-organ there is no perception, but when they are laid upon the flesh there is. Hence the flesh is the medium of the faculty of touch.
Tangible, then, are the distinguishing qualities of body qua body; and by distinguishing qualities I mean those which mark off the elements — hot and cold, dry and moist — concerning which we have spoken earlier in our discussion of the elements. And the sense-organ of these, the organ of touch, that in which primarily the sense called touch resides, is the part which is potentially such as they are; for to perceive is to be affected in some way. So that what acts makes the other, which is potentially such, become such as the agent itself is in actuality.
This is why we do not perceive what is equally hot and cold with ourselves, or equally hard and soft, but only the excesses of these, the sense being, as it were, a kind of mean between the contrariety that resides in perceptible objects. And it is for this reason that it discriminates perceptible objects; for the mean is what discriminates, since in relation to each of the extremes it becomes the other of them. And just as that which is to perceive white and black must be neither of them in actuality, but both potentially, so it is in the other cases too, and in the case of touch the organ must be neither hot nor cold.
Further, just as sight was in a way of the visible and of the invisible, and likewise the remaining senses of their respective opposites, so touch too is of the tangible and of the intangible. And the intangible is both that which has an altogether slight degree of the distinguishing quality of tangible things, as is the case with air, and also the excesses among tangible objects, such as those that are destructive.
Concerning each of the senses, then, an account has now been given in outline.
Περὶ δὲ τοῦ ἁπτοῦ καὶ ἁφῆς ὁ αὐτὸς λόγος. Εἰ γὰρ ἡ ἁφὴ μὴ μία ἐστὶν αἴσθησις ἀλλὰ πλείους, ἀναγκαῖον καὶ τὰ ἁπτὰ αἰσθητὰ πλείω εἶναι. Ἔχει δ’ ἀπορίαν πότερον πλείους εἰσὶν ἢ μία, καὶ τί τὸ αἰσθητήριον τὸ τοῦ ἁπτοῦ ἁπτικόν, πότερον ἡ σὰρξ καὶ ἐν τοῖς ἄλλοις τὸ ἀνάλογον, ἢ οὔ, ἀλλὰ τοῦτο μέν ἐστι τὸ μεταξύ, τὸ δὲ πρῶτον αἰσθητήριον ἄλλο τί ἐστιν ἐντός. Πᾶσά τε γὰρ αἴσθησις μιᾶς ἐναντιώσεως εἶναι δοκεῖ, οἷον ὄψις λευκοῦ καὶ μέλανος καὶ ἀκοὴ ὀξέος καὶ βαρέος καὶ γεῦσις πικροῦ καὶ γλυκέος· ἐν δὲ τῷ ἁπτῷ πολλαὶ ἔνεισιν ἐναντιώσεις, θερμὸν ψυχρόν, ξηρὸν ὑγρόν, σκληρὸν μαλακόν, καὶ τῶν ἄλλων ὅσα τοιαῦτα. Ἔχει δέ τινα λύσιν πρός γε ταύτην τὴν ἀπορίαν, ὅτι καὶ ἐπὶ τῶν ἄλλων αἰσθήσεών εἰσιν ἐναντιώσεις πλείους, οἷον ἐν φωνῇ οὐ μόνον ὀξύτης καὶ βαρύτης, ἀλλὰ καὶ μέγεθος καὶ μικρότης καὶ λειότης καὶ τραχύτης φωνῆς καὶ τοιαῦθ’ ἕτερα. Εἰσὶ δὲ καὶ περὶ χρῶμα διαφοραὶ τοιαῦται ἕτεραι. Ἀλλὰ τί τὸ ἓν τὸ ὑποκείμενον, ὥσπερ ἀκοῇ ψόφος, οὕτω τῇ ἁφῇ, οὐκ ἔστιν ἔνδηλον. Πότερον δ’ ἐστὶ τὸ αἰσθητήριον ἐντός, ἢ οὔ, ἀλλ’ εὐθέως ἡ σάρξ; Οὐδὲν δοκεῖ σημεῖον εἶναι τὸ γίνεσθαι τὴν αἴσθησιν ἅμα θιγγανομένων. Καὶ γὰρ νῦν εἴ τις περὶ τὴν σάρκα περιτείνειεν οἷον ὑμένα ποιήσας, ὁμοίως τὴν αἴσθησιν εὐθέως ἁψάμενος ἐνσημαίνει· καίτοι δῆλον ὡς οὐκ ἔστιν ἐν τούτῳ τὸ αἰσθητήριον· εἰ δὲ καὶ συμφυὲς γένοιτο, θᾶττον ἔτι διικνοῖτ’ ἂν ἡ αἴσθησις. Διὸ τὸ τοιοῦτο μόριον τοῦ σώματος ἔοικεν οὕτως ἔχειν ὥσπερ ἂν εἰ κύκλῳ ἡμῖν περιεπεφύκει ὁ ἀήρ· ἐδοκοῦμεν γὰρ ἂν ἑνί τινι αἰσθάνεσθαι καὶ ψόφου καὶ χρώματος καὶ ὀσμῆς, καὶ μία τις αἴσθησις εἶναι ὄψις ἀκοὴ ὄσφρησις. Νῦν δὲ διὰ τὸ διωρίσθαι δι’ οὗ γίνονται αἱ κινήσεις, φανερὰ τὰ εἰρημένα αἰσθητήρια ἕτερα ὄντα. Ἐπὶ δὲ τῆς ἁφῆς τοῦτο νῦν ἄδηλον· ἐξ ἀέρος μὲν γὰρ ἢ ὕδατος ἀδύνατον συστῆναι τὸ ἔμψυχον σῶμα· δεῖ γάρ τι στερεὸν εἶναι. Λείπεται δὴ μικτὸν ἐκ γῆς καὶ τούτων εἶναι, οἷον βούλεται ἡ σὰρξ καὶ τὸ ἀνάλογον· ὥστε ἀναγκαῖον καὶ τὸ σῶμα εἶναι μεταξὺ τοῦ ἁπτικοῦ προσπεφυκός, δι’ οὗ γίνονται αἱ αἰσθήσεις πλείους οὖσαι. Δηλοῖ δ’ ὅτι πλείους ἡ ἐπὶ τῆς γλώττης ἁφή· ἁπάντων γὰρ τῶν ἁπτῶν αἰσθάνεται κατὰ τὸ αὐτὸ μόριον καὶ χυμοῦ. Εἰ μὲν οὖν καὶ ἡ ἄλλη σὰρξ ᾐσθάνετο τοῦ χυμοῦ, ἐδόκει ἂν ἡ αὐτὴ καὶ μία εἶναι αἴσθησις ἡ γεῦσις καὶ ἡ ἁφή· νῦν δὲ δύο διὰ τὸ μὴ ἀντιστρέφειν. Ἀπορήσειε δ’ ἄν τις, εἰ πᾶν σῶμα βάθος ἔχει· τοῦτο δ’ ἐστὶ τὸ τρίτον μέγεθος· ὧν δ’ ἐστὶ δύο σωμάτων μεταξὺ σῶμά τι, οὐκ ἐνδέχεται ταῦτα ἀλλήλων ἅπτεσθαι. Τὸ δ’ ὑγρὸν οὐκ ἔστιν ἄνευ σώματος, οὐδὲ τὸ διερόν, ἀλλ’ ἀναγκαῖον ὕδωρ εἶναι ἢ ἔχειν ὕδωρ. Τὰ δὲ ἁπτόμενα ἀλλήλων ἐν τῷ ὕδατι, μὴ ξηρῶν τῶν ἄκρων ὄντων, ἀναγκαῖον ὕδωρ ἔχειν μεταξύ, οὗ ἀνάπλεα τὰ ἔσχατα. Εἰ δὲ τοῦτ’ ἀληθές, ἀδύνατον ἅψασθαι ἄλλο ἄλλου ἐν ὕδατι. Τὸν αὐτὸν δὲ τρόπον καὶ ἐν τῷ ἀέρι· ὁμοίως γὰρ ἔχει ὁ ἀὴρ πρὸς τὰ ἐν αὐτῷ καὶ τὸ ὕδωρ πρὸς τὰ ἐν τῷ ὕδατι. Λανθάνει δὲ μᾶλλον ἡμᾶς, ὥσπερ καὶ τὰ ἐν τῷ ὕδατι ζῷα, εἰ διερὸν διεροῦ ἅπτεται. Πότερον οὖν πάντων ὁμοίως ἐστὶν ἡ αἴσθησις, ἢ ἄλλων ἄλλως, καθάπερ νῦν δοκεῖ ἡ μὲν γεῦσις καὶ ἡ ἁφὴ τῷ ἅπτεσθαι, αἱ δ’ ἄλλαι ἄποθεν. Τὸ δ’ οὐκ ἔστιν, ἀλλὰ καὶ τὸ σκληρὸν καὶ τὸ μαλακὸν δι’ ἑτέρων αἰσθανόμεθα, ὥσπερ καὶ τὸ ψοφητικὸν καὶ τὸ ὁρατὸν καὶ τὸ ὀσφραντόν· ἀλλὰ τὰ μὲν πόρρωθεν, τὰ δ’ ἐγγύθεν. Διὸ λανθάνει, ἐπεὶ αἰσθανόμεθά γε πάντων διὰ τοῦ μέσου· ἀλλ’ ἐπὶ τούτων λανθάνει. Καίτοι καθάπερ εἴπαμεν καὶ πρότερον, κἂν εἰ δι’ ὑμένος αἰσθανοίμεθα τῶν ἁπτῶν ἁπάντων λανθάνοντος ὅτι διείργει, ὁμοίως ἂν ἔχοιμεν ὥσπερ καὶ νῦν ἐν τῷ ὕδατι καὶ ἐν τῷ ἀέρι· δοκοῦμεν γὰρ αὐτῶν ἅπτεσθαι καὶ οὐδὲν εἶναι διὰ μέσου. Ἀλλὰ διαφέρει τὸ ἁπτὸν τῶν ὁρατῶν καὶ τῶν ψοφητικῶν, ὅτι ἐκείνων μὲν αἰσθανόμεθα τῷ τὸ μεταξὺ ποιεῖν τι ἡμᾶς, τῶν δὲ ἁπτῶν οὐχ ὑπὸ τοῦ μεταξὺ ἀλλ’ ἅμα τῷ μεταξύ, ὥσπερ ὁ δι’ ἀσπίδος πληγείς· οὐ γὰρ ἡ ἀσπὶς πληγεῖσα ἐπάταξεν, ἀλλ’ ἄμφω συνέβη πληγῆναι. Ὅλως δ’ ἔοικεν ἡ σὰρξ καὶ ἡ γλῶττα, ὡς ὁ ἀὴρ καὶ τὸ ὕδωρ πρὸς τὴν ὄψιν καὶ τὴν ἀκοὴν καὶ τὴν ὄσφρησιν ἔχουσιν, οὕτως ἔχειν πρὸς τὸ αἰσθητήριον ὥσπερ ἐκείνων ἕκαστον. Αὐτοῦ δὲ τοῦ αἰσθητηρίου ἁπτομένου οὔτ’ ἐκεῖ οὔτ’ ἐνταῦθα γένοιτ’ ἂν αἴσθησις, οἷον εἴ τις σῶμα τὸ λευκὸν ἐπὶ τοῦ ὄμματος θείη τὸ ἔσχατον. Ἧι καὶ δῆλον ὅτι ἐντὸς τὸ τοῦ ἁπτοῦ αἰσθητικόν. Οὕτω γὰρ ἂν συμβαίνοι ὅπερ καὶ ἐπὶ τῶν ἄλλων· ἐπιτιθεμένων γὰρ ἐπὶ τὸ αἰσθητήριον οὐκ αἰσθάνεται, ἐπὶ δὲ τὴν σάρκα ἐπιτιθεμένων αἰσθάνεται· ὥστε τὸ μεταξὺ τοῦ ἁπτικοῦ ἡ σάρξ. Ἁπταὶ μὲν οὖν εἰσὶν αἱ διαφοραὶ τοῦ σώματος ᾗ σῶμα· λέγω δὲ διαφορὰς αἳ τὰ στοιχεῖα διορίζουσι, θερμὸν ψυχρόν, ξηρὸν ὑγρόν, περὶ ὧν εἰρήκαμεν πρότερον ἐν τοῖς περὶ στοιχείων. Τὸ δὲ αἰσθητήριον αὐτῶν τὸ ἁπτικόν, καὶ ἐν ᾧ ἡ καλουμένη ἁφὴ ὑπάρχει πρώτῳ, τὸ δυνάμει τοιοῦτόν ἐστι μόριον· τὸ γὰρ αἰσθάνεσθαι πάσχειν τι ἐστίν. Ὥστε τὸ ποιοῦν οἷον αὐτὸ ἐνεργείᾳ, τοιοῦτον ἐκεῖνο ποιεῖ δυνάμει ὄν. Διὸ τοῦ ὁμοίως θερμοῦ καὶ ψυχροῦ ἢ σκληροῦ καὶ μαλακοῦ οὐκ αἰσθανόμεθα, ἀλλὰ τῶν ὑπερβολῶν, ὡς τῆς αἰσθήσεως οἷον μεστότητός τινος οὔσης τῆς ἐν τοῖς αἰσθητοῖς ἐναντιώσεως. Καὶ διὰ τοῦτο κρίνει τὰ αἰσθητά. Τὸ γὰρ μέσον κριτικόν· γίνεται γὰρ πρὸς ἑκάτερον αὐτῶν θάτερον τῶν ἄκρων· καὶ δεῖ ὥσπερ τὸ μέλλον αἰσθήσεσθαι λευκοῦ καὶ μέλανος μηδέτερον αὐτῶν εἶναι ἐνεργείᾳ, δυνάμει δ’ ἄμφω, οὕτω δὴ καὶ ἐπὶ τῶν ἄλλων καὶ ἐπὶ τῆς ἁφῆς μήτε θερμὸν μήτε ψυχρόν. Ἔτι δ’ ὥσπερ ὁρατοῦ καὶ ἀοράτου ἦν πως ἡ ὄψις, ὁμοίως δὲ καὶ αἱ λοιπαὶ τῶν ἀντικειμένων, οὕτω καὶ ἡ ἁφὴ τοῦ ἁπτοῦ καὶ ἀνάπτου· ἄναπτον δ’ ἐστὶ τό τε μικρὰν ἔχον πάμπαν διαφορὰν τῶν ἁπτῶν, οἷον πέπονθεν ὁ ἀήρ, καὶ τῶν ἁπτῶν αἱ ὑπερβολαί, ὥσπερ τὰ φθαρτικά. Καθ’ ἑκάστην μὲν οὖν τῶν αἰσθήσεων εἴρηται τύπῳ.
⚠ This English was translated from the Greek by Claude, not by a human scholar. Check anything important against the original — hit ⇄ Greek above.
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