28In the seventh rank of prerogative instances, we will place singular instances, which we are also wont to call irregular or heteroclite (to borrow a term from the grammarians). They are such as exhibit bodies in the concrete, of an apparently extravagant and separate nature, agreeing but little with other things of the same species. For, while the similar instances resemble each other, those we now speak of are only like themselves. Their use is much the same with that of clandestine instances: they bring out and unite nature, and discover genera or common natures, which must afterward be limited by real differences. Nor should we desist from inquiry, until the properties and qualities of those things, which may be deemed miracles, as it were, of nature, be reduced to, and comprehended in, some form or certain law; so that all irregularity or singularity may be found to depend on some common form; and the miracle only consists in accurate differences, degree, and rare coincidence, not in the species itself. Man’s meditation proceeds no further at present, than just to consider things of this kind as the secrets and vast efforts of nature, without an assignable cause, and, as it were, exceptions to general rules.

As examples of singular instances, we have the sun and moon among the heavenly bodies; the magnet among minerals; quicksilver among metals; the elephant among quadrupeds; the venereal sensation among the different kinds of touch; the scent of sporting dogs among those of smell. The letter S, too, is considered by the grammarians as sui generis, from its easily uniting with double or triple consonants, which no other letter will. These instances are of great value, because they excite and keep alive inquiry, and correct an understanding depraved by habit and the common course of things.

29In the eighth rank of prerogative instances, we will place deviating instances, such as the errors of nature, or strange and monstrous objects, in which nature deviates and turns from her ordinary course. For the errors of nature differ from singular instances, inasmuch as the latter are the miracles of species, the former of individuals. Their use is much the same, for they rectify the understanding in opposition to habit, and reveal common forms. For with regard to these, also, we must not desist from inquiry, till we discern the cause of the deviation. The cause does not, however, in such cases rise to a regular form, but only to the latent process toward such a form. For he who is acquainted with the paths of nature, will more readily observe her deviations; and, vice versâ, he who has learned her deviations will be able more accurately to describe her paths.

They differ again from singular instances, by being much more apt for practice and the operative branch. For it would be very difficult to generate new species, but less so to vary known species, and thus produce many rare and unusual results.[122] The passage from the miracles of nature to those of art is easy; for if nature be once seized in her variations, and the cause be manifest, it will be easy to lead her by art to such deviation as she was at first led to by chance; and not only to that but others, since deviations on the one side lead and open the way to others in every direction. Of this we do not require any examples, since they are so abundant. For a compilation, or particular natural history, must be made of all monsters and prodigious births of nature; of everything, in short, which is new, rare and unusual in nature. This should be done with a rigorous selection, so as to be worthy of credit. Those are most to be suspected which depend upon superstition, as the prodigies of Livy, and those perhaps, but little less, which are found in the works of writers on natural magic, or even alchemy, and the like; for such men, as it were, are the very suitors and lovers of fables; but our instances should be derived from some grave and credible history, and faithful narration.

30In the ninth rank of prerogative instances, we will place bordering instances, which we are also wont to term participants. They are such as exhibit those species of bodies which appear to be composed of two species, or to be the rudiments between the one and the other. They may well be classed with the singular or heteroclite instances; for in the whole system of things, they are rare and extraordinary. Yet from their dignity, they must be treated of and classed separately, for they point out admirably the order and constitution of things, and suggest the causes of the number and quality of the more common species in the universe, leading the understanding from that which is, to that which is possible.

We have examples of them in moss, which is something between putrescence and a plant;[123] in some comets, which hold a place between stars and ignited meteors; in flying fishes, between fishes and birds; and in bats, between birds and quadrupeds.[124] Again,

Simia quam similis turpissima bestia nobis.

We have also biformed fœtus, mingled species and the like.

31In the tenth rank of prerogative instances, we will place the instances of power, or the fasces (to borrow a term from the insignia of empire), which we are also wont to call the wit or hands of man. These are such works as are most noble and perfect, and, as it were, the masterpieces in every art. For since our principal object is to make nature subservient to the state and wants of man, it becomes us well to note and enumerate the works, which have long since been in the power of man, especially those which are most polished and perfect: because the passage from these to new and hitherto undiscovered works, is more easy and feasible. For if any one, after an attentive contemplation of such works as are extant, be willing to push forward in his design with alacrity and vigor, he will undoubtedly either advance them, or turn them to something within their immediate reach, or even apply and transfer them to some more noble purpose.

Nor is this all: for as the understanding is elevated and raised by rare and unusual works of nature, to investigate and discover the forms which include them also, so is the same effect frequently produced by the excellent and wonderful works of art; and even to a greater degree, because the mode of effecting and constructing the miracles of art is generally plain, while that of effecting the miracles of nature is more obscure. Great care, however, must be taken, that they do not depress the understanding, and fix it, as it were, to earth.

For there is some danger, lest the understanding should be astonished and chained down, and as it were bewitched, by such works of art, as appear to be the very summit and pinnacle of human industry, so as not to become familiar with them, but rather to suppose that nothing of the kind can be accomplished, unless the same means be employed, with perhaps a little more diligence, and more accurate preparation.

Now, on the contrary, it may be stated as a fact, that the ways and means hitherto discovered and observed, of effecting any matter or work, are for the most part of little value, and that all really efficient power depends, and is really to be deduced from the sources of forms, none of which have yet been discovered.

Thus (as we have before observed), had any one meditated on ballistic machines, and battering rams, as they were used by the ancients, whatever application he might have exerted, and though he might have consumed a whole life in the pursuit, yet would he never have hit upon the invention of flaming engines, acting by means of gunpowder; nor would any person, who had made woollen manufactories and cotton the subject of his observation and reflection, have ever discovered thereby the nature of the silkworm or of silk.

Hence all the most noble discoveries have (if you observe) come to light, not by any gradual improvement and extension of the arts, but merely by chance; while nothing imitates or anticipates chance (which is wont to act at intervals of ages) but the invention of forms.

There is no necessity for adducing any particular examples of these instances, since they are abundant. The plan to be pursued is this: all the mechanical, and even the liberal arts (as far as they are practical), should be visited and thoroughly examined, and thence there should be formed a compilation or particular history of the great masterpieces, or most finished works in each, as well as of the mode of carrying them into effect.

Nor do we confine the diligence to be used in such a compilation to the leading works and secrets only of every art, and such as excite wonder; for wonder is engendered by rarity, since that which is rare, although it be compounded of ordinary natures, always begets wonder.

On the contrary, that which is really wonderful, from some specific difference distinguishing it from other species, is carelessly observed, if it be but familiar. Yet the singular instances of art should be observed no less than those of nature, which we have before spoken of: and as in the latter we have classed the sun, the moon, the magnet, and the like, all of them most familiar to us, but yet in their nature singular, so should we proceed with the singular instances of art.

For example: paper, a very common substance, is a singular instance of art; for if you consider the subject attentively, you will find that artificial substances are either woven by straight and transverse lines, as silk, woollen, or linen cloth, and the like; or coagulated from concrete juices, such as brick, earthenware, glass, enamel, porcelain and the like, which admit of a polish if they be compact, but if not, become hard without being polished; all which latter substances are brittle, and not adherent or tenacious. On the contrary, paper is a tenacious substance, which can be cut and torn, so as to resemble and almost rival the skin of any animal, or the leaf of vegetables, and the like works of nature; being neither brittle like glass, nor woven like cloth, but having fibres and not distinct threads, just as natural substances, so that scarcely anything similar can be found among artificial substances, and it is absolutely singular. And in artificial works we should certainly prefer those which approach the nearest to an imitation of nature, or, on the other hand, powerfully govern and change her course.

Again, in these instances which we term the wit and hands of man, charms and conjuring should not be altogether despised, for although mere amusements, and of little use, yet they may afford considerable information.

Lastly, superstition and magic (in its common acceptation) are not to be entirely omitted; for although they be overwhelmed by a mass of lies and fables, yet some investigation should be made, to see if there be really any latent natural operation in them; as in fascination, and the fortifying of the imagination, the sympathy of distant objects, the transmission of impressions from spirit to spirit no less than from body to body, and the like.