Their nature is made clear whenever there is some block in the respiration and a man draws in his breath forcibly; for then no accompanying smell is strained through, but the breath passes in alone by itself isolated from the smells. So for these reasons the varieties of these smells have no name, 67a not being derived either from many or from simple forms, but are indicated by two distinctive terms only, “pleasant” and “painful” of which the one kind roughens and violently affects the whole of our bodily cavity which lies between the head and the navel, whereas the other mollifies this same region and restores it agreeably to its natural condition.
The third organ of perception within us which we have to describe in our survey is that of hearing, 67b and the causes whereby its affections are produced. In general, then, let us lay it down that sound is a stroke transmitted through the ears, by the action of the air upon the brain and the blood, and reaching to the soul; and that the motion caused thereby, which begins in the head and ends about the seat of the liver, is “hearing”; and that every rapid motion produces a “shrill” sound, and every slower motion a more “deep” sound; and that uniform motion produces an “even” and smooth sound and the opposite kind of motion a “harsh” sound; 67c and that large motion produces “loud” sound, and motion of the opposite kind “soft” sound. The subject of concords of sounds must necessarily be treated in a later part of our exposition.1
We have still remaining a fourth kind of sensation, which we must divide up seeing that it embraces numerous varieties, which, as a whole, we call “colors.” This consists of a flame which issues from the several bodies, and possesses particles so proportioned to the visual stream as to produce sensation; and as regards the visual stream, we have already stated2 merely the causes which produced it. 67d Concerning colors, then, the following explanation will be the most probable and worthy of a judicious account. Of the particles which fly off from the rest and strike into the visual stream some are smaller, some larger, and some equal to the particles of the stream itself; those, then, that are equal are imperceptible, and we term them “transparent”; while the larger and smaller particles—of which the one kind contracts, the other dilates the visual stream—are akin to the particles of heat and cold which affect the flesh, 67e and to the astringent particles which affect the tongue, and to all the heating particles which we call “bitter”3 with these “white” and “black” are really identical affections, occurring in a separate class of sensation, although they appear different for the causes stated.
These, therefore, are the names we must assign to them: that which dilates the visual stream is “white” and the opposite thereof “black”4; and the more rapid motion, being that of a different species of fire, which strikes upon the visual stream and dilates it as far as to the eyes, and penetrating 68a and dissolving the very passages of the eyes causes a volume of fire and water to pour from them, which we call “tears.” And this moving body, being itself fire, meets fire from the opposite direction; and as the one firestream is leaping out like a flash, and the other passing in and being quenched in the moisture, in the resultant mixture colors of all kinds are produced. This sensation we term “dazzling” and the object which causes it “bright” or “brilliant.” Again, when the kind of fire 68b which is midway between these5 reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire’s ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”; 68c but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples 68d what are the mixtures with which we ought to identify them if we would preserve probability in our account. But should any inquirer make an experimental test of these facts, he would evince his ignorance of the difference between man’s nature and Gods—how that, whereas God is sufficiently wise and powerful to blend the many into one and to dissolve again the one into many, there exists not now, nor ever will exist hereafter, a child of man sufficient for either of these tasks. 68e
Such, then, being the necessary nature of all these things, the Artificer of the most fair and good took them over at that time amongst things generated when He was engendering the self-sufficing and most perfect God; and their inherent properties he used as subservient causes, but Himself designed the Good in all that was being generated.
Wherefore one ought to distinguish two kinds of causes,6 the necessary and the divine, and in all things to seek after the divine for the sake of gaining a life of blessedness, so far as our nature admits thereof, 69a and to seek the necessary for the sake of the divine, reckoning that without the former it is impossible to discern by themselves alone the divine objects after which we strive, or to apprehend them or in any way partake thereof.
Seeing, then, that we have now lying before us and thoroughly sifted—like wood ready for the joiner, —the various kinds of causes, out of which the rest of our account must be woven together, let us once more for a moment revert to our starting-point,7 and thence proceed rapidly to the point 69b from which we arrived hither. In this way we shall endeavor now to supplement our story with a conclusion and a crown in harmony with what has gone before.
As we stated at the commencement,8 all these things were in a state of disorder, when God implanted in them proportions both severally in relation to themselves and in their relations to one another, so far as it was in any way possible for them to be in harmony and proportion. For at that time nothing partook thereof, save by accident, nor was it possible to name anything worth mentioning which bore the names we now give them, such as fire and water, 69c or any of the other elements; but He, in the first place, set all these in order, and then out of these He constructed this present Universe, one single Living Creature containing within itself all living creatures both mortal and immortal. And He Himself acts as the Constructor of things divine, but the structure of the mortal things He commanded His own engendered sons to execute. And they, imitating Him, on receiving the immortal principle of soul, framed around it a mortal body, and gave it all the body to be its vehicle,9 and housed therein besides another form of soul, even the mortal form, 69d which has within it passions both fearful and unavoidable—firstly, pleasure, a most mighty lure to evil; next, pains, which put good to rout10; and besides these, rashness and fear, foolish counsellors both and anger, hard to dissuade; and hope, ready to seduce. And blending these with irrational sensation and with all-daring lust, they thus compounded in necessary fashion the mortal kind of soul. Wherefore, since they scrupled to pollute the divine, unless through absolute necessity, 69e they planted the mortal kind apart therefrom in another chamber of the body, building an isthmus and boundary for the head and chest by setting between them the neck, to the end that they might remain apart. And within the chest—or “thorax,” as it is called—they fastened the mortal kind of soul.
And inasmuch as one part thereof is better, and one worse, they built a division within the cavity of the thorax— 70a as if to fence off two separate chambers, for men and for women—by placing the midriff between them as a screen. That part of the soul, then, which partakes of courage and spirit, since it is a lover of victory, they planted more near to the head, between the midriff and the neck, in order that it might hearken to the reason, and, in conjunction therewith, might forcibly subdue the tribe of the desires whensoever they should utterly refuse to yield willing obedience to the word of command from the citadel of reason. And the heart, 70b which is the junction of the veins and the fount of the blood which circulates vigorously through all the limbs, they appointed to be the chamber of the bodyguard, to the end that when the heat of the passion boils up, as soon as reason passes the word round that some unjust action is being done which affects them, either from without or possibly even from the interior desires, every organ of sense in the body might quickly perceive through all the channels both the injunctions and the threats and in all ways obey and follow them, thus allowing their best part 70c to be the leader of them all. And as a means of relief for the leaping of the heart, in times when dangers are expected and passion is excited—since they knew that all such swelling of the passionate parts would arise from the action of fire,—they contrived and implanted the form of the lungs. This is, in the first place, soft and bloodless; and, moreover, it contains within it perforated cavities like those of a sponge, so that, when it receives the breath and the drink, it might have a cooling effect and furnish relief and comfort 70d in the burning heat. To this end they drew the channels of the windpipe to the lungs, and placed the lungs as a kind of padding round the heart, in order that, when the passion therein should be at its height, by leaping upon a yielding substance and becoming cool, the heart might suffer less and thereby be enabled the more to be subservient to the reason in time of passion.
And all that part of the Soul which is subject to appetites for foods and drinks, and all the other wants that are due to the nature of the body, they planted in the parts midway between the midriff and the boundary 70e at the navel, fashioning as it were a manger in all this region for the feeding of the body; and there they tied up this part of the Soul, as though it were a creature which, though savage, they must necessarily keep joined to the rest and feed, if the mortal stock were to exist at all.
not being derived either from many or from simple forms, but are indicated by two distinctive terms only, “pleasant” and “painful” of which the one kind roughens and violently affects the whole of our bodily cavity which lies between the head and the navel, whereas the other mollifies this same region and restores it agreeably to its natural condition.
The third organ of perception within us which we have to describe in our survey is that of hearing,
Τίμαιος ἕπεται. δύʼ οὖν ταῦτα ἀνώνυμα τὰ τούτων ποικίλματα γέγονεν, οὐκ ἐκ πολλῶν οὐδὲ ἁπλῶν εἰδῶν ὄντα, ἀλλὰ διχῇ τό θʼ ἡδὺ καὶ τὸ λυπηρὸν αὐτόθι μόνω διαφανῆ λέγεσθον, τὸ μὲν τραχῦνόν τε καὶ βιαζόμενον τὸ κύτος ἅπαν, ὅσον ἡμῶν μεταξὺ κορυφῆς τοῦ τε ὀμφαλοῦ κεῖται, τὸ δὲ ταὐτὸν τοῦτο καταπραῧνον καὶ πάλιν ᾗ πέφυκεν ἀγαπητῶς ἀποδιδόν.
τρίτον δὲ αἰσθητικὸν ἐν ἡμῖν μέρος ἐπισκοποῦσιν τὸ περὶ
and the causes whereby its affections are produced. In general, then, let us lay it down that sound is a stroke transmitted through the ears, by the action of the air upon the brain and the blood, and reaching to the soul; and that the motion caused thereby, which begins in the head and ends about the seat of the liver, is “hearing”; and that every rapid motion produces a “shrill” sound, and every slower motion a more “deep” sound; and that uniform motion produces an “even” and smooth sound and the opposite kind of motion a “harsh” sound;
τὴν ἀκοήν, διʼ ἃς αἰτίας τὰ περὶ αὐτὸ συμβαίνει παθήματα, λεκτέον. ὅλως μὲν οὖν φωνὴν θῶμεν τὴν διʼ ὤτων ὑπʼ ἀέρος ἐγκεφάλου τε καὶ αἵματος μέχρι ψυχῆς πληγὴν διαδιδομένην, τὴν δὲ ὑπʼ αὐτῆς κίνησιν, ἀπὸ τῆς κεφαλῆς μὲν ἀρχομένην, τελευτῶσαν δὲ περὶ τὴν τοῦ ἥπατος ἕδραν, ἀκοήν· ὅση δʼ αὐτῆς ταχεῖα, ὀξεῖαν, ὅση δὲ βραδυτέρα, βαρυτέραν· τὴν δὲ ὁμοίαν ὁμαλήν τε καὶ λείαν, τὴν δὲ ἐναντίαν τραχεῖαν·
and that large motion produces “loud” sound, and motion of the opposite kind “soft” sound. The subject of concords of sounds must necessarily be treated in a later part of our exposition.
We have still remaining a fourth kind of sensation, which we must divide up seeing that it embraces numerous varieties, which, as a whole, we call “colors.” This consists of a flame which issues from the several bodies, and possesses particles so proportioned to the visual stream as to produce sensation; and as regards the visual stream, we have already stated merely the causes which produced it.
μεγάλην δὲ τὴν πολλήν, ὅση δὲ ἐναντία, σμικράν. τὰ δὲ περὶ συμφωνίας αὐτῶν ἐν τοῖς ὕστερον λεχθησομένοις ἀνάγκη ῥηθῆναι.
τέταρτον δὴ λοιπὸν ἔτι γένος ἡμῖν αἰσθητικόν, ὃ διελέσθαι δεῖ συχνὰ ἐν ἑαυτῷ ποικίλματα κεκτημένον, ἃ σύμπαντα μὲν χρόας ἐκαλέσαμεν, φλόγα τῶν σωμάτων ἑκάστων ἀπορρέουσαν, ὄψει σύμμετρα μόρια ἔχουσαν πρὸς αἴσθησιν· ὄψεως δʼ ἐν τοῖς πρόσθεν αὐτὸ περὶ τῶν αἰτίων τῆς γενέσεως
Concerning colors, then, the following explanation will be the most probable and worthy of a judicious account. Of the particles which fly off from the rest and strike into the visual stream some are smaller, some larger, and some equal to the particles of the stream itself; those, then, that are equal are imperceptible, and we term them “transparent”; while the larger and smaller particles—of which the one kind contracts, the other dilates the visual stream—are akin to the particles of heat and cold which affect the flesh,
ἐρρήθη. τῇδʼ οὖν τῶν χρωμάτων πέρι μάλιστα εἰκὸς πρέποι τʼ ἂν ἐπιεικεῖ λόγῳ διεξελθεῖν· τὰ φερόμενα ἀπὸ τῶν ἄλλων μόρια ἐμπίπτοντά τε εἰς τὴν ὄψιν τὰ μὲν ἐλάττω, τὰ δὲ μείζω, τὰ δʼ ἴσα τοῖς αὐτῆς τῆς ὄψεως μέρεσιν εἶναι· τὰ μὲν οὖν ἴσα ἀναίσθητα, ἃ δὴ καὶ διαφανῆ λέγομεν, τὰ δὲ μείζω καὶ ἐλάττω, τὰ μὲν συγκρίνοντα, τὰ δὲ διακρίνοντα αὐτήν, τοῖς περὶ τὴν σάρκα θερμοῖς καὶ ψυχροῖς καὶ τοῖς
and to the astringent particles which affect the tongue, and to all the heating particles which we call “bitter” with these “white” and “black” are really identical affections, occurring in a separate class of sensation, although they appear different for the causes stated.
These, therefore, are the names we must assign to them: that which dilates the visual stream is “white” and the opposite thereof “black”; and the more rapid motion, being that of a different species of fire, which strikes upon the visual stream and dilates it as far as to the eyes, and penetrating
περὶ τὴν γλῶτταν στρυφνοῖς, καὶ ὅσα θερμαντικὰ ὄντα δριμέα ἐκαλέσαμεν, ἀδελφὰ εἶναι, τά τε λευκὰ καὶ τὰ μέλανα, ἐκείνων παθήματα γεγονότα ἐν ἄλλῳ γένει τὰ αὐτά, φανταζόμενα δὲ ἄλλα διὰ ταύτας τὰς αἰτίας.
Τίμαιος ΤΙ. οὕτως οὖν αὐτὰ προσρητέον· τὸ μὲν διακριτικὸν τῆς ὄψεως λευκόν, τὸ δʼ ἐναντίον αὐτοῦ μέλαν, τὴν δὲ ὀξυτέραν φορὰν καὶ γένους πυρὸς ἑτέρου προσπίπτουσαν καὶ διακρίνουσαν τὴν ὄψιν μέχρι τῶν ὀμμάτων, αὐτάς τε τῶν ὀφθαλμῶν τὰς διεξόδους
and dissolving the very passages of the eyes causes a volume of fire and water to pour from them, which we call “tears.” And this moving body, being itself fire, meets fire from the opposite direction; and as the one firestream is leaping out like a flash, and the other passing in and being quenched in the moisture, in the resultant mixture colors of all kinds are produced. This sensation we term “dazzling” and the object which causes it “bright” or “brilliant.” Again, when the kind of fire
Τίμαιος βίᾳ διωθοῦσαν καὶ τήκουσαν, πῦρ μὲν ἁθρόον καὶ ὕδωρ, ὃ δάκρυον καλοῦμεν, ἐκεῖθεν ἐκχέουσαν, αὐτὴν δὲ οὖσαν πῦρ ἐξ ἐναντίας ἀπαντῶσαν, καὶ τοῦ μὲν ἐκπηδῶντος πυρὸς οἷον ἀπʼ ἀστραπῆς, τοῦ δʼ εἰσιόντος καὶ περὶ τὸ νοτερὸν κατασβεννυμένου, παντοδαπῶν ἐν τῇ κυκήσει ταύτῃ γιγνομένων χρωμάτων, μαρμαρυγὰς μὲν τὸ πάθος προσείπομεν, τὸ δὲ τοῦτο ἀπεργαζόμενον λαμπρόν τε καὶ στίλβον ἐπωνομάσαμεν.
which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire’s ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”;
Τίμαιος τὸ δὲ τούτων αὖ μεταξὺ πυρὸς γένος, πρὸς μὲν τὸ τῶν ὀμμάτων ὑγρὸν ἀφικνούμενον καὶ κεραννύμενον αὐτῷ, στίλβον δὲ οὔ· τῇ δὲ διὰ τῆς νοτίδος αὐγῇ τοῦ πυρὸς μειγνυμένου χρῶμα ἔναιμον παρασχομένῃ, τοὔνομα ἐρυθρὸν λέγομεν. λαμπρόν τε ἐρυθρῷ λευκῷ τε μειγνύμενον ξανθὸν γέγονεν· τὸ δὲ ὅσον μέτρον ὅσοις, οὐδʼ εἴ τις εἰδείη, νοῦν ἔχει τὸ λέγειν, ὧν μήτε τινὰ ἀνάγκην μήτε τὸν εἰκότα λόγον καὶ μετρίως ἄν τις εἰπεῖν εἴη δυνατός. ἐρυθρὸν δὲ δὴ
but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples
Τίμαιος μέλανι λευκῷ τε κραθὲν ἁλουργόν· ὄρφνινον δέ, ὅταν τούτοις μεμειγμένοις καυθεῖσίν τε μᾶλλον συγκραθῇ μέλαν. πυρρὸν δὲ ξανθοῦ τε καὶ φαιοῦ κράσει γίγνεται, φαιὸν δὲ λευκοῦ τε καὶ μέλανος, τὸ δὲ ὠχρὸν λευκοῦ ξανθῷ μειγνυμένου. λαμπρῷ δὲ λευκὸν συνελθὸν καὶ εἰς μέλαν κατακορὲς ἐμπεσὸν κυανοῦν χρῶμα ἀποτελεῖται, κυανοῦ δὲ λευκῷ κεραννυμένου γλαυκόν, πυρροῦ δὲ μέλανι πράσιον. τὰ δὲ
what are the mixtures with which we ought to identify them if we would preserve probability in our account. But should any inquirer make an experimental test of these facts, he would evince his ignorance of the difference between man’s nature and Gods—how that, whereas God is sufficiently wise and powerful to blend the many into one and to dissolve again the one into many, there exists not now, nor ever will exist hereafter, a child of man sufficient for either of these tasks.
Τίμαιος ἄλλα ἀπὸ τούτων σχεδὸν δῆλα αἷς ἂν ἀφομοιούμενα μείξεσιν διασῴζοι τὸν εἰκότα μῦθον. εἰ δέ τις τούτων ἔργῳ σκοπούμενος βάσανον λαμβάνοι, τὸ τῆς ἀνθρωπίνης καὶ θείας φύσεως ἠγνοηκὼς ἂν εἴη διάφορον, ὅτι θεὸς μὲν τὰ πολλὰ εἰς ἓν συγκεραννύναι καὶ πάλιν ἐξ ἑνὸς εἰς πολλὰ διαλύειν ἱκανῶς ἐπιστάμενος ἅμα καὶ δυνατός, ἀνθρώπων δὲ οὐδεὶς οὐδέτερα τούτων ἱκανὸς οὔτε ἔστι νῦν οὔτε εἰς αὖθίς ποτε ἔσται.
Such, then, being the necessary nature of all these things, the Artificer of the most fair and good took them over at that time amongst things generated when He was engendering the self-sufficing and most perfect God; and their inherent properties he used as subservient causes, but Himself designed the Good in all that was being generated.
Wherefore one ought to distinguish two kinds of causes, the necessary and the divine, and in all things to seek after the divine for the sake of gaining a life of blessedness, so far as our nature admits thereof,
ταῦτα δὴ πάντα τότε ταύτῃ πεφυκότα ἐξ ἀνάγκης ὁ τοῦ καλλίστου τε καὶ ἀρίστου δημιουργὸς ἐν τοῖς γιγνομένοις παρελάμβανεν, ἡνίκα τὸν αὐτάρκη τε καὶ τὸν τελεώτατον θεὸν ἐγέννα, χρώμενος μὲν ταῖς περὶ ταῦτα αἰτίαις ὑπηρετούσαις, τὸ δὲ εὖ τεκταινόμενος ἐν πᾶσιν τοῖς γιγνομένοις αὐτός.
Τίμαιος ΤΙ. διὸ δὴ χρὴ δύʼ αἰτίας εἴδη διορίζεσθαι, τὸ μὲν ἀναγκαῖον, τὸ δὲ θεῖον, καὶ τὸ μὲν θεῖον ἐν ἅπασιν ζητεῖν
and to seek the necessary for the sake of the divine, reckoning that without the former it is impossible to discern by themselves alone the divine objects after which we strive, or to apprehend them or in any way partake thereof.
Seeing, then, that we have now lying before us and thoroughly sifted—like wood ready for the joiner, —the various kinds of causes, out of which the rest of our account must be woven together, let us once more for a moment revert to our starting-point, and thence proceed rapidly to the point
Τίμαιος κτήσεως ἕνεκα εὐδαίμονος βίου, καθʼ ὅσον ἡμῶν ἡ φύσις ἐνδέχεται, τὸ δὲ ἀναγκαῖον ἐκείνων χάριν, λογιζόμενον ὡς ἄνευ τούτων οὐ δυνατὰ αὐτὰ ἐκεῖνα ἐφʼ οἷς σπουδάζομεν μόνα κατανοεῖν οὐδʼ αὖ λαβεῖν οὐδʼ ἄλλως πως μετασχεῖν.
ὅτʼ οὖν δὴ τὰ νῦν οἷα τέκτοσιν ἡμῖν ὕλη παράκειται τὰ τῶν αἰτίων γένη διυλισμένα, ἐξ ὧν τὸν ἐπίλοιπον λόγον δεῖ συνυφανθῆναι, πάλιν ἐπʼ ἀρχὴν ἐπανέλθωμεν διὰ βραχέων, ταχύ τε εἰς ταὐτὸν πορευθῶμεν ὅθεν δεῦρο ἀφικόμεθα,
from which we arrived hither. In this way we shall endeavor now to supplement our story with a conclusion and a crown in harmony with what has gone before.
As we stated at the commencement, all these things were in a state of disorder, when God implanted in them proportions both severally in relation to themselves and in their relations to one another, so far as it was in any way possible for them to be in harmony and proportion. For at that time nothing partook thereof, save by accident, nor was it possible to name anything worth mentioning which bore the names we now give them, such as fire and water,
καὶ τελευτὴν ἤδη κεφαλήν τε τῷ μύθῳ πειρώμεθα ἁρμόττουσαν ἐπιθεῖναι τοῖς πρόσθεν. ὥσπερ γὰρ οὖν καὶ κατʼ ἀρχὰς ἐλέχθη, ταῦτα ἀτάκτως ἔχοντα ὁ θεὸς ἐν ἑκάστῳ τε αὐτῷ πρὸς αὑτὸ καὶ πρὸς ἄλληλα συμμετρίας ἐνεποίησεν, ὅσας τε καὶ ὅπῃ δυνατὸν ἦν ἀνάλογα καὶ σύμμετρα εἶναι. τότε γὰρ οὔτε τούτων, ὅσον μὴ τύχῃ, τι μετεῖχεν, οὔτε τὸ παράπαν ὀνομάσαι τῶν νῦν ὀνομαζομένων ἀξιόλογον ἦν οὐδέν, οἷον πῦρ καὶ ὕδωρ καὶ εἴ τι τῶν ἄλλων· ἀλλὰ πάντα ταῦτα
or any of the other elements; but He, in the first place, set all these in order, and then out of these He constructed this present Universe, one single Living Creature containing within itself all living creatures both mortal and immortal. And He Himself acts as the Constructor of things divine, but the structure of the mortal things He commanded His own engendered sons to execute. And they, imitating Him, on receiving the immortal principle of soul, framed around it a mortal body, and gave it all the body to be its vehicle, and housed therein besides another form of soul, even the mortal form,
πρῶτον διεκόσμησεν, ἔπειτʼ ἐκ τούτων πᾶν τόδε συνεστήσατο, ζῷον ἓν ζῷα ἔχον τὰ πάντα ἐν ἑαυτῷ θνητὰ ἀθάνατά τε. καὶ τῶν μὲν θείων αὐτὸς γίγνεται δημιουργός, τῶν δὲ θνητῶν τὴν γένεσιν τοῖς ἑαυτοῦ γεννήμασιν δημιουργεῖν προσέταξεν. οἱ δὲ μιμούμενοι, παραλαβόντες ἀρχὴν ψυχῆς ἀθάνατον, τὸ μετὰ τοῦτο θνητὸν σῶμα αὐτῇ περιετόρνευσαν ὄχημά τε πᾶν τὸ σῶμα ἔδοσαν ἄλλο τε εἶδος ἐν αὐτῷ ψυχῆς προσῳκοδόμουν τὸ θνητόν, δεινὰ καὶ ἀναγκαῖα ἐν ἑαυτῷ
which has within it passions both fearful and unavoidable—firstly, pleasure, a most mighty lure to evil; next, pains, which put good to rout; and besides these, rashness and fear, foolish counsellors both and anger, hard to dissuade; and hope, ready to seduce. And blending these with irrational sensation and with all-daring lust, they thus compounded in necessary fashion the mortal kind of soul. Wherefore, since they scrupled to pollute the divine, unless through absolute necessity,
παθήματα ἔχον, πρῶτον μὲν ἡδονήν, μέγιστον κακοῦ δέλεαρ, ἔπειτα λύπας, ἀγαθῶν φυγάς, ἔτι δʼ αὖ θάρρος καὶ φόβον, ἄφρονε συμβούλω, θυμὸν δὲ δυσπαραμύθητον, ἐλπίδα δʼ εὐπαράγωγον· αἰσθήσει δὲ ἀλόγῳ καὶ ἐπιχειρητῇ παντὸς ἔρωτι συγκερασάμενοι ταῦτα, ἀναγκαίως τὸ θνητὸν γένος συνέθεσαν. καὶ διὰ ταῦτα δὴ σεβόμενοι μιαίνειν τὸ θεῖον, ὅτι μὴ πᾶσα ἦν ἀνάγκη, χωρὶς ἐκείνου κατοικίζουσιν εἰς
they planted the mortal kind apart therefrom in another chamber of the body, building an isthmus and boundary for the head and chest by setting between them the neck, to the end that they might remain apart. And within the chest—or “thorax,” as it is called—they fastened the mortal kind of soul.
And inasmuch as one part thereof is better, and one worse, they built a division within the cavity of the thorax—
ἄλλην τοῦ σώματος οἴκησιν τὸ θνητόν, ἰσθμὸν καὶ ὅρον διοικοδομήσαντες τῆς τε κεφαλῆς καὶ τοῦ στήθους, αὐχένα μεταξὺ τιθέντες, ἵνʼ εἴη χωρίς. ἐν δὴ τοῖς στήθεσιν καὶ τῷ καλουμένῳ θώρακι τὸ τῆς ψυχῆς θνητὸν γένος ἐνέδουν.
Τίμαιος ΤΙ. καὶ ἐπειδὴ τὸ μὲν ἄμεινον αὐτῆς, τὸ δὲ χεῖρον ἐπεφύκει, διοικοδομοῦσι τοῦ θώρακος αὖ τὸ κύτος, διορίζοντες οἷον
as if to fence off two separate chambers, for men and for women—by placing the midriff between them as a screen. That part of the soul, then, which partakes of courage and spirit, since it is a lover of victory, they planted more near to the head, between the midriff and the neck, in order that it might hearken to the reason, and, in conjunction therewith, might forcibly subdue the tribe of the desires whensoever they should utterly refuse to yield willing obedience to the word of command from the citadel of reason. And the heart,
Τίμαιος γυναικῶν, τὴν δὲ ἀνδρῶν χωρὶς οἴκησιν, τὰς φρένας διάφραγμα εἰς τὸ μέσον αὐτῶν τιθέντες. τὸ μετέχον οὖν τῆς ψυχῆς ἀνδρείας καὶ θυμοῦ, φιλόνικον ὄν, κατῴκισαν ἐγγυτέρω τῆς κεφαλῆς μεταξὺ τῶν φρενῶν τε καὶ αὐχένος, ἵνα τοῦ λόγου κατήκοον ὂν κοινῇ μετʼ ἐκείνου βίᾳ τὸ τῶν ἐπιθυμιῶν κατέχοι γένος, ὁπότʼ ἐκ τῆς ἀκροπόλεως τῷ τʼ ἐπιτάγματι καὶ λόγῳ μηδαμῇ πείθεσθαι ἑκὸν ἐθέλοι· τὴν δὲ δὴ καρδίαν
which is the junction of the veins and the fount of the blood which circulates vigorously through all the limbs, they appointed to be the chamber of the bodyguard, to the end that when the heat of the passion boils up, as soon as reason passes the word round that some unjust action is being done which affects them, either from without or possibly even from the interior desires, every organ of sense in the body might quickly perceive through all the channels both the injunctions and the threats and in all ways obey and follow them, thus allowing their best part
Τίμαιος ἅμμα τῶν φλεβῶν καὶ πηγὴν τοῦ περιφερομένου κατὰ πάντα τὰ μέλη σφοδρῶς αἵματος εἰς τὴν δορυφορικὴν οἴκησιν κατέστησαν, ἵνα, ὅτε ζέσειεν τὸ τοῦ θυμοῦ μένος, τοῦ λόγου παραγγείλαντος ὥς τις ἄδικος περὶ αὐτὰ γίγνεται πρᾶξις ἔξωθεν ἢ καί τις ἀπὸ τῶν ἔνδοθεν ἐπιθυμιῶν, ὀξέως διὰ πάντων τῶν στενωπῶν πᾶν ὅσον αἰσθητικὸν ἐν τῷ σώματι, τῶν τε παρακελεύσεων καὶ ἀπειλῶν αἰσθανόμενον, γίγνοιτο ἐπήκοον καὶ ἕποιτο πάντῃ, καὶ τὸ βέλτιστον οὕτως ἐν αὐτοῖς
to be the leader of them all. And as a means of relief for the leaping of the heart, in times when dangers are expected and passion is excited—since they knew that all such swelling of the passionate parts would arise from the action of fire,—they contrived and implanted the form of the lungs. This is, in the first place, soft and bloodless; and, moreover, it contains within it perforated cavities like those of a sponge, so that, when it receives the breath and the drink, it might have a cooling effect and furnish relief and comfort
Τίμαιος πᾶσιν ἡγεμονεῖν ἐῷ. τῇ δὲ δὴ πηδήσει τῆς καρδίας ἐν τῇ τῶν δεινῶν προσδοκίᾳ καὶ τῇ τοῦ θυμοῦ ἐγέρσει, προγιγνώσκοντες ὅτι διὰ πυρὸς ἡ τοιαύτη πᾶσα ἔμελλεν οἴδησις γίγνεσθαι τῶν θυμουμένων, ἐπικουρίαν αὐτῇ μηχανώμενοι τὴν τοῦ πλεύμονος ἰδέαν ἐνεφύτευσαν, πρῶτον μὲν μαλακὴν καὶ ἄναιμον, εἶτα σήραγγας ἐντὸς ἔχουσαν οἷον σπόγγου κατατετρημένας, ἵνα τό τε πνεῦμα καὶ τὸ πῶμα δεχομένη,
in the burning heat. To this end they drew the channels of the windpipe to the lungs, and placed the lungs as a kind of padding round the heart, in order that, when the passion therein should be at its height, by leaping upon a yielding substance and becoming cool, the heart might suffer less and thereby be enabled the more to be subservient to the reason in time of passion.
And all that part of the Soul which is subject to appetites for foods and drinks, and all the other wants that are due to the nature of the body, they planted in the parts midway between the midriff and the boundary
Τίμαιος ψύχουσα, ἀναπνοὴν καὶ ῥᾳστώνην ἐν τῷ καύματι παρέχοι· διὸ δὴ τῆς ἀρτηρίας ὀχετοὺς ἐπὶ τὸν πλεύμονα ἔτεμον, καὶ περὶ τὴν καρδίαν αὐτὸν περιέστησαν οἷον μάλαγμα, ἵνʼ ὁ θυμὸς ἡνίκα ἐν αὐτῇ ἀκμάζοι, πηδῶσα εἰς ὑπεῖκον καὶ ἀναψυχομένη, πονοῦσα ἧττον, μᾶλλον τῷ λόγῳ μετὰ θυμοῦ δύναιτο ὑπηρετεῖν.
τὸ δὲ δὴ σίτων τε καὶ ποτῶν ἐπιθυμητικὸν τῆς ψυχῆς καὶ ὅσων ἔνδειαν διὰ τὴν τοῦ σώματος ἴσχει φύσιν, τοῦτο
at the navel, fashioning as it were a manger in all this region for the feeding of the body; and there they tied up this part of the Soul, as though it were a creature which, though savage, they must necessarily keep joined to the rest and feed, if the mortal stock were to exist at all.
εἰς τὸ μεταξὺ τῶν τε φρενῶν καὶ τοῦ πρὸς τὸν ὀμφαλὸν ὅρου κατῴκισαν, οἷον φάτνην ἐν ἅπαντι τούτῳ τῷ τόπῳ τῇ τοῦ σώματος τροφῇ τεκτηνάμενοι· καὶ κατέδησαν δὴ τὸ τοιοῦτον ἐνταῦθα ὡς θρέμμα ἄγριον, τρέφειν δὲ συνημμένον ἀναγκαῖον, εἴπερ τι μέλλοι ποτὲ θνητὸν ἔσεσθαι γένος.
Τίμαιος ΤΙ. ἵνʼ οὖν ἀεὶ νεμόμενον πρὸς φάτνῃ καὶ ὅτι πορρωτάτω τοῦ βουλευομένου κατοικοῦν, θόρυβον καὶ βοὴν ὡς ἐλαχίστην παρέχον,
Page 14 of 20 · Timaeus, Plato , tr. W. R. M. Lamb · Perseus Digital Library